Word: reviewable
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Dates: during 1960-1969
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...Review will begin gathering first-hand detailed information from people who witnessed the events between 4 and 6:30 a.m. Thursday morning at University Hall...
...comparative roles of heredity and environment in human intelligence. "I agree that it is foolish to deny the possibility of significant genetic differences between races," writes James F. Crow, a population geneticist at the University of Wisconsin, in a response to the Jensen article commissioned by Harvard's Review. "But this is not to say that the magnitude and direction of genetic racial differences are predictable." In American society, he adds, the environmental difference between being black and being white could of itself account...
Even before Barnes became drama critic, his appetite for theatrical performances was notorious. "If you dimmed the lights in a car," says a fellow critic, "Clive would have tried to review it." Two years ago, after Howard Taubman succeeded Brooks Atkinson and Stanley Kauffmann succeeded Taubman, the New York Times turned to Clive Barnes. His first reviews ran on heedlessly, as Barnes reviewed the theater, the audience, the seats. But by the following season he was as relaxed as an actor in the second year of a hit comedy, still babbling, but in the manner of a relaxed and witty...
...pleasure of throwing his fat limey posterior out in the street." Fellow Critic John Simon fulminated in New York Magazine: "The APA production of The Misanthrope is as bad as . . . as . . . it is hard to find an adequately monstrous simile. As bad-let me try-as its review by Clive Barnes." Dance and Music Critic B. H. Haggin briskly summed up Barnes' critical efforts as "uncomprehending nonsense." The critic's critics have not been entirely unjust. Barnes' manic dance criticism often reads more like promotion than analysis. And frequently a drama review will come down with logorrhea...
...education, is unexpected in English criticism, which is not normally ideological although the Burgess polarities have been roughly characterized as Cavalier and Roundhead. Yet Burgess's prose never seems plodding despite his spiritual preoccupations. In any case, he is the kind of man who could write a light review of a heavy British Treasury tax form. Should he do so in the future, it will have to be written from Valetta. Anthony Burgess has transplanted himself from tax-heavy Britain to Malta. This move is part of what the British deplore as the Brain Drain. Where Burgess is concerned...