Word: reviewer
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Dates: during 1960-1969
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...Review Has Shaky Future, But Presents Necessary Questions
...Board is looking for people who can write convincingly on any topics that interests some segment of the University community. Period. And that's a broad range of topics. Members of the Ed Board write many of the policies, brass tacks (in-depth discussions of some current problem), and reviews of books, movies, and plays that appear on page 2 of the Crimson. Students who can review the latest Godard extravaganzas will be accepted with open arms. The same goes for those who can unravel the myriad complexities of national politics and institutions. The former are never forced to write...
...uniformity of opinion are valid issues for debate. The U.S. press, far from feeling intimidated, ought to welcome Agnew's challenge-and reply as vigorously as it sees fit. The result could make The Spiro Agnew Show and its successors (The Dean Burch Hour? The Ronald Reagan Review?) into a regular and fascinating TV series...
...present. The largest area will be devoted to U.S. accomplishment in space exploration, including a full-scale simulation of the Sea of Tranquility landing site of the Apollo 11 moon shot. American life on earth will be covered by a series of exhibits of architecture, folk art, and a review of the realistic tradition in U.S. painting, from Gilbert Stuart to Andrew Wyeth. A mixed-media sports exhibit will include memorabilia of baseball's greats. The U.S. avant-garde will be represented by the results of an art and technology program; twenty artists including Claes Oldenburg and Tony Smith...
...London, because the finished records of a new John Lennon-Yoko Ono LP album were not ready in time, review copies were sent out in the form of two test pressings, each with a recorded side and a blank side. Most reviewers recognized the dubs for what they were. But Richard Williams, critic for the pop weekly Melody Maker, was caught with his avant-garde down. After listening earnestly to each of the four sides, Williams solemnly reported that sides two and four consisted entirely of single tones, "presumably produced electronically." Their pitch, he noted, varied by microtones and "this...