Word: reviews
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Dates: during 1980-1989
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Unfortunately, Harvard police don't think so. They argue that their internal review process is adequate and that police are better suited to review police than civilians who haven't put in time in the trenches. There is, of course, more subtlety to the Harvard Police argument, but there isn't any more substance. That kind of thinking is just plain wrong...
Harvard students as well would feel more comfortable if they knew that they could, if mistreated by Harvard police, appeal to a body outside the University. The current internal review process under which students may appeal alleged police misconduct is inadequate since the University has a vested interest in squelching the progress of complaints against its own police...
...continually impress us with their professionalism, to lack the confidence to submit to civilian oversight. If Harvard police accept the Board, they will earn an additional measure of the community's respect and set an example for their Cambridge colleagues, who remain cool to the idea of civilian review...
...Nick Wurf chosen to review Bye Bye Verdi? The only requisites for a theater critic are objectvity and love of the theater. Wurf possesses neither of these attributes...
...avowed and undisguised dislike for the very concept of the Pudding. The review resounds with remarks betraying his utter contempt and distaste for the entire experience. Who was so cruel as to force this assignment upon him? Most perplexing, however, is his description of not Bye Bye Verdi, but the musical genre itself, as "an art form that is perhaps the most banal and vapid vehicle in the American cultural desert...