Word: revolucion
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Dates: during 1990-1999
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Deep inside Havana's Palacio De La Revolucion is the spare, book-lined office from which Cuba is ruled. It lies down a corridor lined with columns of rough native marble and ferns from the Sierra Maestra, recalling the famous mountain redoubt where the revolution was born almost 40 years ago. Few are allowed to penetrate to the heart of the last socialist bastion in the western hemisphere, one of a handful of communist regimes struggling to ride out the 20th century. Here is where Fidel Castro secretly pulls the strings guiding his country. And where he still pursues with...
HAVANA: As Pope John Paul II arrived at Jose Marti International Airport Wednesday, tens of thousands of Cubans awaited the pontiff in Havana's Plaza de la Revolucion. TIME correspondent Tammerlin Drummond found them more concerned with the political implications than with the spiritual dimensions of Pope John Paul II's visit...
PARIS: The trial ended the way it began ? with extravagant outbursts of rhetoric. "Viva la revolucion!" shouted Venezuelan-born Ilich Ramirez Sanchez, better known as Carlos the Jackal, as he raised his left arm in retro-revolutionary defiance. And, as trial-watchers have come to expect, that wasn't all. Asking for a microphone so he could play to supporters who had packed the courtroom, Carlos went on to denounce the "McDonalds-ization of humanity," and placed himself on "the side of civilization" against "world Zionism" and the omnipotent American demon...
...setting was a vast hall in Cuba's government office building, the Palacio de la Revolucion. At first the 68-year-old Cuban leader ``struck me as looking rather frail,'' observes Prager. ``Older than I thought.'' But ``as we got to dinner and we got into a conversation and the adrenaline began to flow, he became the kind of Castro you think Castro ought to be. Lively. Articulate. Talks with his hands, looks...
Taking his visitors on a slow walking tour of Havana's labyrinthine Palacio de la Revolucion, Castro gestures toward an enormous mosaic of birds, animals and flowers that dominates the reception hall and quietly begins a story. The artist, he explains, cast the ceramic tiles at the same time the architect was completing the building's interior. Through some misunderstanding between the two men, the ceiling was built too low. When it came time to install the intricately etched tiles, the top two rows did not fit. The artist never forgave the architect whose miscalculations robbed his mosaic...