Word: revolutionists
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...virtue and makes his fortune by mistake. His principal errors involve: Stella Stevens, as a slatternly village dressmaker who tricks him into entombing her murdered husband; Honor Blackman, irrationally seductive as a mad neo-Nazi entomologist who breeds spiders the size of St. Bernards; and Shirley Jones, as a revolutionist who enlists Booth's aid to overthrow a Central American republic while pretending to make a movie about it. Comedian Lionel Jeffries labors throughout in four lunatic minor roles...
Marie-Josephe-Rose de Tascher de la Pagerie had two great loves. One was "Napoleon Bonaparte, who called her "my matchless little mother" and made her his Empress; the other was Paul Barras, revolutionist and member of the Directory, who remarked that "she would have drunk gold out of the skull of her lover" and referred to her as "the lewd Creole." Barras' estimate of Josephine was the one accepted by most 19th century biographers of Napoleon -chiefly, suggests Historian Ernest Knapton, because she left behind so few words in her own defense (only one "certain and authentic" letter...
Yglesias' family is almost Dostoevskian in size and complexity. Its three generations stem from three aged sisters-Dolores, Clemencia and Mina. Among the younger men, Armando is a sex-starved punk who works for the local numbers racketeer; Esteban runs guns to a revolutionist named Castro; Robert fiddles on the periphery of the left wing but lacks the will to fish or cut bait. A domineering, money-mad daughter, Elena, is married to a Batista speechwriter who regularly hauls huge bundles of cash from Havana to a Miami bank and is contemptuous of all the pin-poor folk...
...Ugly American. Ambassador Brando, in a Ronald Colman mustache and a Fred Astaire top hat, matches ideologies with a native revolutionist in faraway South Sarkhan. Most of the Americans involved in this fanciful adaptation of the Burdick-Lederer novel are so lacking in charm that it is hard to decide just who is the ugliest...
With sweep and color, the book tells how Lenin turned from a peaceful student into a fiery revolutionist after the czarist police killed his brother. In detail, the authors unfold the subsequent chain of tragedies: Lenin's minority-party power grab in 1917, Stalin's further perversion of Marxist ideals. Russia's nationalistic heroism in World War II and its postwar imperialism, the chilling struggle for Kremlin power after Stalin's death, and the sharp differences among Communist countries. Adlai Stevenson praises the book for its "new insights" and "fresh, factual appraisal...