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The madness of the French Revolution and the madness of the everyday overlap and intertwine in “Marat/Sade,” the Harvard Radcliffe Dramatic Club’s production of Peter Weiss’ 1963 play, “The Persecution and Assassination of Jean Paul Marat...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Crazy for A Revolution | 10/30/2009 | See Source »

According to Christine E. Gummerson ’12, who plays Rossignol, there are many parallels between the events in revolutionary France and the madhouse. “There is this feeling of ‘What have I done to deserve this? Why me?’?...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Crazy for A Revolution | 10/30/2009 | See Source »

An understanding of “Marat/Sade,” therefore, relies on an appreciation of its complementary contexts. The production aims to use asylum and revolution to emphasize one another and comment on the present day. In doing so it hopes to show that violent desperation is timeless and...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Crazy for A Revolution | 10/30/2009 | See Source »

There’s something both charming and surprisingly relatable about four guys from Versaille, a tiny town only minutes outside of Paris, characterizing the musical offerings of their childhood as on par with, say, life on Venus, or China during the cultural revolution. As guitarist Laurent ?...

Author: By Ruben L. Davis, CONTRIBUTING WRITER | Title: Smoldering Musical Discourse, Rising from the Ashes | 10/30/2009 | See Source »

True Love Revolution has been making a lot of noise since The Crimson's publication of Silpa Kovali's editorial last week, called "True Love Revision," in which the author examined points made by TLR president Rachel L. Wagley '11 in an interview. The piece has sparked a flurry of...

Author: By Esther I. Yi | Title: True Love Revolutionaries Take a Stand | 10/29/2009 | See Source »

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