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...hardly. Both films had been rated X for their tone, for their fidelity to the theme of human corruption. These are modern morality plays, fascinating and determinedly unpleasant. They do not tease or flinch; they do not reward prurience. They do not glamourize violence, as the traditional Hollywood thriller does, with tricks of suspense and sexual come-on. Henry and The Cook are horror movies, yes -- essays in the horror of brutality, which they show as the insatiable craving of doomed, destructive souls. Any innocent who crosses these sociopaths, or just crosses their paths, is doomed...

Author: /time Magazine | Title: Cinema: X Marks the Top | 4/9/1990 | See Source »

...released composite sketches of the two thieves, two international auction houses, Sotheby's and Christie's, posted a $1 million reward for information leading to the return of the works and the museum received tips on their whereabouts...

Author: NO WRITER ATTRIBUTED | Title: Museum Theft Stumps Police | 4/3/1990 | See Source »

Instead, the Gardner offered a $1 million reward for information leading to the return of the paintings. This ransom money -- "reward" is a euphemism -- may work, if it does not gum up the investigation with half the flakes and crazies from Boston to Miami. But it does not dispose of the ghastly possibility that one of the greatest of Vermeer's paintings (along with other things of lesser significance) may be destroyed by the thieves as too hot to handle...

Author: /time Magazine | Title: Art: A Boston Theft ReflectsThe Art World's Turmoil | 4/2/1990 | See Source »

...theft is the blue-collar side of the glittering system whereby art, through the '80s, was promoted into crass totems of excess capital. Sotheby's and Christie's tacitly recognized this last week when, after conferring with the museum board and the FBI, they volunteered the $1 million reward money for the Gardner -- a touching p.r. gesture, like a cigarette company giving money to a cancer ward...

Author: /time Magazine | Title: Art: A Boston Theft ReflectsThe Art World's Turmoil | 4/2/1990 | See Source »

...Michael Kinsley, then editor of the New Republic, who had notes slipped deep into dozens of copies of three much discussed works that were selling well in Washington bookstores; anyone who found the notes (which presumably included anyone who read the books) was instructed to call for a $5 reward. After five months, no one had. "These books don't exist to be read," Kinsley later wrote. "They exist to be gazed at, browsed through, talked about." The Kinsley experiment's small sampling could lead to the conclusion, probably erroneous, that no books are actually read. Some surely...

Author: /time Magazine | Title: Books: No, But I Bought the Book | 4/2/1990 | See Source »

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