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...surprising that Extreme is crass, but it is also maudlin. (As is TLC's plastic-surgery show, A Personal Story. In its credits, words float across the screen: LIPOSUCTION ... SELF-ESTEEM ... BREAST AUGMENTATION ... DIGNITY ... RHINOPLASTY.) A stay-at-home mom on Extreme describes her surgery as a reward for years of self-sacrifice ("This is something Mommy's just gotta do for me"). One hour and one mostly bloodless depiction of surgery later, she's gone from looking like a Dorothea Lange Dust Bowl photo subject to looking like a talk-show host, as if not just her face...

Author: /time Magazine | Title: Trading Faces | 7/7/2003 | See Source »

...underlings are the blue-collar counterpart to last season's no-hope drug soldiers, who are on the scene this year too. If The Wire depicts a war on crime, it is World War I, its weary sides facing off in the trenches, with little hope of victory or reward. The cops soldier on anyway, driven less by idealism than stubbornness. They deserve recognition. And so does TV's hardest-working drama. --By James Poniewozik

Author: /time Magazine | Title: Return Of The Un-Sopranos | 6/9/2003 | See Source »

...right about then that I realized I had spent the last four years in denial, pretending there was no reward where there was no glory. Marty steered me out of, in his words, a culture of disappointment to the culture of what’s next. For that badly needed perspective, I can’t say thank you enough...

Author: By Brian E. Fallon, CRIMSON STAFF WRITER | Title: Life of Brian: Confessions of a Would-Be Harvard Man | 6/5/2003 | See Source »

Fortunately, Harvard teaches its undergraduates to be a lot smarter than monkeys. But all too often, in the social sciences at least, Harvard doesn’t force its students to do much more than parrots. Social science courses all too often reward superficial repetition rather than in-depth, original scholarship...

Author: By David M. Debartolo, | Title: People, Not Parrots | 6/5/2003 | See Source »

...movies was way off this year. The festival jury, which was led by French director Patrice Ch?reau and included Bollywood diva Aishwarya Rai and Chinese actor-director Jiang Wen, deemed only four films worthy of prizes?the lowest number in memory. They also went out of their way to reward movies that were moderate in tone (except for Elephant): the winners included a genial comedy-drama about a dying professor (French Canada's The Barbarian Invasions), a minimalist study of two cousins getting on each other's nerves (the Turkish Uzak), and the one Asian awardee, At Five...

Author: /time Magazine | Title: Reel and Real | 6/2/2003 | See Source »

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