Word: rewardingly
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Dates: during 1970-1979
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Philosophers of capitalism defend inequality on two grounds. Economist Friedrich A. Hayek, a Nobel Laureate, argues persuasively that the only alternative to the market's unequal apportionment of rewards is distribution of income on the basis of each person's moral worth?and who could possibly judge that fairly? Pragmatically, many theorists contend that inequality is necessary to reward with high income the initiative that produces economic growth. They add that growth makes the poor if not nearly equal to the rich, at least better off than they would be in a stagnant economy that distributed wealth equally. According...
...best in the Caribbean; jack and pompano bite in the shallows, the sun shines all day and plops into the ocean with a green flash straight out of a tourist leaflet; and on island after island the beaches are empty, not yet speckled with condominiums. Privacy is the reward of bareboating-not to mention a new and addictive confidence about sailing...
...York art world, especially in its present decay, is the easiest target a pop sociologist could ask for. Most of it is a wallow of egotism, social climbing and power brokerage, and the only thing that makes it tolerable is the occasional reward of experiencing a good work of art in all its richness, complexity and difficulty. Take the art from the art world, as Wolfe does, and the matrix becomes fit for caricature. Since Wolfe is unable to show any intelligent response to painting, caricature is what we get: a rehashed conspiracy theory...
This perfectly ill-assorted trio sets out in the Orca, Quint's leaky craft, to bring the marauding great white to his reward. Ideal adversary that he is, the shark proves stronger and more wily than anyone suspected. The men go after him with rifles. They try to slow him down with barrels, fight him, tire him, tow him. In desperation Hooper descends below the surface in a shark cage (the sequence for which Carl Rizzo was hired), armed with a poison gun that will get the job done-if he can shoot it directly into the creature...
Outer Limits. Tetley's vision is not literary but psychological, vital and sexual. Absent is the usual dance contest between Daphnis and the cowherd Dorkon, danced by Reid Anderson, for the reward of Chloë's kiss. The veil dance of Lykanion, the Grecian Salome, is gone too. Instead, German-born Ballerina Birgit Keil slithers into a hot pas de deux with Cragun, whose ardent body is counterpointed by his gentle face. Through her mellifluous movement, Haydée conveys a Chloë too ripe to be altogether innocent...