Word: rex
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Dates: during 1950-1959
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...dramatic flatness. It is not so much that the play finds no destination as that it fails to dramatize the very lack of one. What The Fighting Cock needed, in the face of an all but preordained intellectual stalemate, was a greater emotional leverage, a more vibrant dramatic charge. Rex Harrison is a top actor and Peter Brook a top director. But whether it is the part's fault or the player's, the general is not an expressive enough figure. And whether it is the production's fault or the play's, The Fighting Cock...
...week fall season into the post-Labor Day lull before the Met's opening, was offering one of the most imaginative seasons of its inventive career. For his opening, Director Julius Rudel presented an improbable but highly successful pairing of Igor Stravinsky's austerely stylized Oedipus Rex and Carl Orff's lightly lyrical Carmina Burana, both conducted by Leopold Stokowski. The audience took to the double feature so enthusiastically that an additional performance was scheduled for last week. The season's second big hit: a superb production of Mozart's crystalline comic masterwork, Cosi...
Running second against Rex Van Rossum of Oxford, Yeomans really turned it on and gave the baton to Luck with a six-yard margin. Luck and Carney added two yards to the final eight-yard edge. The time, a meet record...
...Wellesley season wound up with an impressive production of Sophocles' Oedipus Rex, directed by Athan Karras, a native Greek with considerable experience in his country's great classics. He presented a movingly stylized and austere show, using Gilbert Murray's not too satisfactory translation (Yeats' is no better; there is still need for a truly actable translation). Barry Morse, whose forte is high comedy, made an admirable Oedipus, but he could not plumb the depths of his final scene. Sydney Sturgess was badly miscast as Jocasta; but Ellis Rabb acted as cathartic a Tiresias as one is ever likely...
...with considerable skill. Jan de Hartog's The Four-poster, a series of lovely vignettes of married life, came off moderately well in the hands of Tad Danielewski and Sylvia Daneel; but the play really cries out for polished husband-and-wife teams like Hume Cronyn-Jessica Tandy and Rex Harrison-Lili Palmer...