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Word: rhett (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...other in cinema history except Ben Hur ($4,500,000) and Hell's Angels ($4,000,000). They knew it was one of the longest pictures ever filmed (three hours and three quarters of Technicolored action). Above all, most of them knew by heart the love story of Rhett Butler and Scarlett O'Hara, and they were there to protest if it had undergone a single serious film change. Putting it on fPm had been a job as fantastic as the ballyhoo...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

Racked though they were with Scarlett fever, the U. S. cinemillions on one point were constant-the people's choice to play Rhett Butler was Clark Gable...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...destruction of the South's civilization in the War between the States, told as the case history of two plantation families, the red-blooded O'Haras and the blue-blooded Wilkeses, had been better told before. The overlapping loves of Scarlett O'Hara for Ashley Wilkes, Rhett Butler for Scarlett O'Hara, could be read in any confession magazine...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...cinemillions had already unanimously voted that Clark Gable must play Rhett Butler. Selznick also bowed to them when he cast Olivia de Havilland as sweetish, big-eyed, thrushlike Melanie Hamilton, Leslie Howard as smooth, anemic, intellectual Ashley Wilkes, Laura Hope Crews as futile, flustered foolish Aunt Pittypat. Two of Selznick's minor castings were inspired: 1) Thomas Mitchell as old hard-riding Gerald O'Hara, who (after his mind is gone) by sheer power of pantomime dominates the scenes in which he has almost nothing to say or do; 2) colored Cinemactress Hattie McDaniel, who comes from Kansas...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...comic concessions, but there is sly humor in Prissy 's (Butterfly McQueen) singing of Jes' a Few Mo' Days, Ter Tote de Weery Load. There is -sumptuous satire in the sets of the barbaric mansion, the realization of all Scarlett's ideals, in which Rhett and Scar lett enshrine their garish passion. In contrast, sudden lyrical shots lighten the cinemagnificence. Technicolor (using a new process) has never been used with more effective restraint than in Gone With the Wind. Exquisite shot: Gerald O'Hara silhouetted beside Scarlett against the eve ning sky at Tara while...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

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