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Compared with Ali's endless repertory of wit and rhyme, Foreman's verbal acrobatics seem hopelessly square. "Do you know the Pledge of Allegiance?" he will ask someone for fun. Or Foreman may test a visitor by asking him to recite the Lord's Prayer. Ali may soon lose his claim to being No. 1 in fast footwork. Last winter, when Foreman was living in Los Angeles, he studied ballet. Though he demonstrates pliés only when photographers' backs are turned, Foreman says, "I took up ballet after seeing a dance show in Las Vegas...

Author: /time Magazine | Title: Sport: Violent Coronation in Kinshasa | 9/23/1974 | See Source »

...gushy, superficial image of musical comedy is something Rubins would like to change. His own songs are thoughtful, even melancholy. "In musicals when there's a choice between a clever rhyme and an honest feeling, most people go for the gimmick," he says. "Ideally, musicals should be more than just tap dancing and legs...

Author: By Michiko Kakutani, | Title: What's on Josh Rubins's Mind? | 7/12/1974 | See Source »

...with African imagery, though it has something to do with both. A European is apt to seek the meaning of a work like the modern Ashanti wood carving of a mother and child from Ghana in its harmony of shapes: the massive, fluid bulges of hair, the delicate formal rhyme between the points of nose, chin and conical breasts, and so forth. But when Thompson showed it to an African, his response to what seemed "universal" in the sculpture was quite different. "She is purely there. She gives milk to the child. She secures his body with the other hand...

Author: /time Magazine | Title: Art: Legacies of the Dance | 6/24/1974 | See Source »

Spivack's use of formal rhyme produces childish, stilted versification. Her form does not strengthen the poem, but remains glaringly obvious, never blending into the total fabric of the work. She rhymes only to prove she can rhyme...

Author: By Linda G. Sexton, | Title: Grounded | 5/28/1974 | See Source »

They speak dialects that fall into scatty rhyme, slick and ingenious, while Cole ridge-Taylor Perkinson's music runs from gospel to voodoo to jazz. The evening is a fairly dense and ambitious odyssey that flirts with incoherence and goes on a bit too long. But the trip is worth it. In a season of obsessive nostalgia, MacDaddy at least has blood in it, and not embalming fluid...

Author: /time Magazine | Title: The Theater: Black People's Time | 2/25/1974 | See Source »

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