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Word: rhyming (lookup in dictionary) (lookup stats)
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...bowling is not an ironic thrill. He holds the house record, 257, at the Pin-Up Bowl in his native St. Louis, but more to the point, he knows no such thing as an ironic thrill. Ever since he became an instant gazillionaire thanks to his 2000 nursery-rhyme hit, Country Grammar, his life has been dedicated to the fulfillment of a Maxim-style populist fantasy: fun, all the time. He owns a massive house by a Missouri lake, a clothing line and a slice of an NBA team, and, if they kept charts on such things, he would easily...

Author: /time Magazine | Title: The Rapper Who Likes Bowling | 9/27/2004 | See Source »

...right. The problem with those is not politics but priorities. There's nothing wrong with having a point of view, but there's a lot wrong with the prosody of a line like "George W.'s got nothing on we/We got to take the power from he." In rap, rhyme still has to come before reason...

Author: /time Magazine | Title: Music: The Beauty Of The Beasties | 6/14/2004 | See Source »

From the time Updike joined the editorial board, scarcely an issue went to press that was not introduced by a “JHU”-signed rhyme. His skills, Limpert said, coincided perfectly with the humor magazine’s needs...

Author: By Nathan J. Heller, CRIMSON STAFF WRITER | Title: 'Poon to Pulitzer, Updike Runs On | 6/7/2004 | See Source »

Updike didn’t only take on The Crimson, though. One 1953 rhyme he penned for the magazine begins, “Old Advocate, once you were famous and staid, / But Now, both obscene and sub-standard; / For thus you are called by printers appalled, / Who never should bother to read what they’re paid / To print: we say you are slandered...

Author: By Nathan J. Heller, CRIMSON STAFF WRITER | Title: 'Poon to Pulitzer, Updike Runs On | 6/7/2004 | See Source »

...inert; far from it—dancefloor music is alive, forces you to listen with more than your ears. What corner you inhabit depends on how you feel. Why else would U.K. grime artists like Dizzee Rascal and Wiley Kat have come up with the inhuman beats they rhyme over? They grew up listening to breakbeat hardcore and jungle, whose twisted beats became their “rhythmic code” (to borrow from Simon Reynolds...

Author: By Ryan J. Kuo, CRIMSON STAFF WRITER | Title: Living for the Future | 4/30/2004 | See Source »

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