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...What was the name Shirley Ellis didn't dare rhyme in "The Name Game...

Author: By Compiled BY Andy klein, | Title: Semi-Annual Oldies Quiz | 1/19/1972 | See Source »

...collection of 62 stories written between 1962 and 1970 that fit without the slightest crowding into a 174 page book. The pieces range in length from a few pages to several lines, tiny Brautiganisms that haven't made it into his poetry collections only because the words don't rhyme. Brautigan bills them as fiction but their accent gives them away as autobiographical trivia...

Author: By Whit Stillman, | Title: Brautigan's Revenge | 12/6/1971 | See Source »

...Moliere's play. It's a very difficult task to make an American audience sit through a play in which the characters speak in verse: we'll make the necessary effort for Shakespeare, but we're not used to it, and it sounds--well, phoney. Especially when it rhymes. Wilbur's translation, however is so wonderfully apt and witty that it's a pleasure to hear it spoken. There are few trite or forced rhymes. And it's a novel and delightful experience to find oneself laughing at a particularly unexpected yet apt rhyme. With apologies to Ogden Nash...

Author: By Richard Bowker, | Title: School for Wives | 11/17/1971 | See Source »

...poem in the Advocate collection stands out as a bright example of intention happily wedded to execution: Jean Boudin's "Checkers." On one level it is a word-game played in nonsense verse with a vivaciously comic sense for awkward syntax and incongruous internal rhyme. Boudin writes for the ear at least as well as she writes for the eye. And her sense of nonsense saves the radical political themes of the poem from didacticism. An attempt at high seriousness would blunt the sting of the poem's political barbs, but irreverence sharpens them with a fitting context. A poet...

Author: By Bill Beckett, | Title: Opening Up the Advocate | 10/2/1971 | See Source »

...more or less dominate the poetry establishment-at least by the measurement of sheer volume. They derive from the original imagist movement, formulated before World War I by (among others) Ezra Pound and British Critic T.E. Hulme in rebellion against the lofty subject matter, plushy rhetoric and rocking-horse rhyme scheme of the past. Pound demanded a poetry "direct, free from emotional slither." Hulme insisted "it is essential to prove that beauty may be in small, dry things." Williams Carlos Williams, whose five-line poem The Red Wheelbarrow is perennially quoted as the purest imagist creation ever, announced: "Anything that...

Author: /time Magazine | Title: Books: Poetry Today: Low Profile, Flatted Voice | 7/12/1971 | See Source »

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