Search Details

Word: rhythm (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...addition to these actors, four soloists sing numerous arias and ariosos which reflect upon the drama. These singers were the source of whatever weakness existed in the performance. The accurate but weak soprano of Susan Larson failed to fill the hall. Alto Pamela Gore often shrouded pitch and rhythm with an excessive vibrato. Tenor Ivan Oak had inexcusable difficulty in following the conductor which, together with an inability to pronounce the German text, resulted in a disappointing performance. David Evitts, however, displaying a full-toned but agile bass, gave the sensation of an effortless flow of notes...

Author: By Joseph Straus, | Title: The Passion According to F. John | 4/16/1974 | See Source »

...rock 'n' roll. Three years later, he had become the "twelve-year-old genius" of Motown Records, the black pop giant. Rechristened Little Stevie Wonder, he was a strutting, shimmying minibopper who rode to the top of the record charts and $1 million in sales with a rhythm-and-blues shouter called Fingertips, Part...

Author: /time Magazine | Title: Music: Black, Blind and on Top of Pop | 4/8/1974 | See Source »

...going for him. Sitting up there onstage, his head bobbing and weaving sightlessly as though trying to tune in on some private radar of the mind, he recalls no one so much as his old idol to whom he used to listen on Detroit's WCHB, the blind rhythm-and-blues great, Ray Charles...

Author: /time Magazine | Title: Music: Black, Blind and on Top of Pop | 4/8/1974 | See Source »

Spanish Johnny drove in from the underworld last night With bruised arms and broken rhythm and a beat-up old Buick but dressed just like dynamite, He tried sellin his heart to the hard girls over on Easy Street, But they said, "Johnny, it falls apart so easy and you know hearts these days are cheap...

Author: /time Magazine | Title: Music: Along Pinball Way | 4/1/1974 | See Source »

...cars go by. It's hard-driving and strong but with a controlled drawl, so that it sounds redundant at first, until the body of the song starts and Jennings and his harp players weave a bluesy exchange through the sameness. Joining them is a superb pedal steel, a rhythm guitar and Jennings on lead. The tunes are written by and large by Billy Joe Shaver--one of the best--and they're basically macho stuff, about outlaws and boozers and a woman associated with every town. But anyone accustomed to country music has gotten over that by now. Waylon...

Author: By Richard Turner, | Title: Sweet Sour Mash | 3/23/1974 | See Source »

Previous | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | Next