Word: rhythm
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Dates: during 1980-1989
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...survival, a history lesson with a horn section and one of the best bands this side of E Street. This show is about the fall and rise of David Bowie. A little regeneration and a little dancing in the aisles, a touch of optimism and a double dose of rhythm and blues and, as the man himself once said, wham bam, thank...
...people to like you is something else, something more difficult to define: a gift, a charm, a comedic sex appeal. Murphy's bad-boy street patter, with four-letter words used less to shock or threaten than to salt his jokes with the rhythm of machismo, carries with it an inner-city demand for respect. Then suddenly his handsome face flashes a good-boy dimple, and out of his mouth comes the laugh that sounds like a happy goose crossed with a stopped-up vacuum cleaner, and the audience cracks up. Very bad Eddie, very good Eddie, his fans...
...part the surprise simply comes from the announcement of a personalized death; two named and photographed victims in a war automatically draw more attention than statistical casualties. Then, too, there is something about the rhythm and character of their work: the white moving line of the automobile perpendicular to the guns, the pursuit of one profession bisecting another. There is the matter of their being journalists, who as cultural figures are always accorded a special (half revered, half resented) slot in the public mind, and of their being foreign correspondents in particular, with all the folklore glamour associated with that...
...Glass's galvanizing Rubric: loud, brash music, pulsing like a motor. One could never join this crowd of pedestrians; anyone who has ever tried to move across a major artery, or even a busy sidewalk, in an alien capital knows how hard it is to catch the rhythm. Yet a series of three couples in pale unitards does invade the mob, finally clearing a space for their own brief dance and slightly skewing the renewed movement of the throng. Clearly this urban ritual could go on forever, but abruptly the bright lights are quenched...
...with sprightly gags-from the opening credit sequence, with its Rube Goldberg series of mishaps, to the evil Superman getting a wicked charge out of setting the leaning tower of Pisa aright. Director Richard Lester (A Hard Day's Night, Petulia) paces the jokes to his trademarked sprung rhythm and sees that they are deftly executed by his engaging cast. Vaughn may lack the top-dog malevolence needed for an archvillain, but he communicates the fun he had playing the role. O'Toole, whose cheerleader beauty has too often been camouflaged on TV and in bad movies, blossoms...