Word: rhythm
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Dates: during 1980-1989
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...eight wonky daughters. "I would have died before I let my understudy take over onstage," she says. "Not that I begrudged her a chance to shine before an audience, but it was my part." Now she is preserving it against the fender-gluing tedium of film making, with its rhythm of endless delays. Between takes on the set, she hikes her white Victorian hobble skirt up to her knees so that she can sit down in it, finds her place in Henry James' Portrait of a Lady, and until a hand appears between page and eyes-a makeup woman...
...argument goes like this: every movie is propaganda. Every character is a walking placard-for capitalism or idealism or monogamy or the status quo. Every shot, by its placement and rhythm and duration, is one more Pavlovian command to the viewer. A narrative movie is usually successful to the extent that it obscures these facts, transforms the thesis into entertainment and the placards into persuasive semblances of human beings...
...cultural synthesis might redeem us all. How can one follow this show, from its first choked and turbulent exercises, through the grapplings with chosen masters (Picasso, Masson, Miró, Orozco) in the "totemic" and "archetypal" paintings of the 1940s, into the air and vastness of Lavender Mist or Autumn Rhythm, without seeing that Pollock's career was one of the few great models of integrating search that our fragmented culture can offer...
...they retain a distinctive intensity, quiet and mannered, that goes with their aloof and somewhat ambiguous degree of abstraction. When Diebenkorn wants to set a curve flowing across the paper, its rhythm acquires a detached mellowness, a quality of reverie; this wandering of the hand is constantly checked and inflected by the vestiges of a grid, the angled cuts of straight drawing that survive from the Ocean Parks and are, in fact, a permanent feature of his style. Consequently, the Knoedler exhibition as a whole presents a display of control rare incurrent painting...
DIED. Hoagy Carmichael, 82, composer of songs that influenced the Big Band sound of the 1930s and 1940s and made him a popular music idol; in Rancho Mirage, Calif. A self-taught musician who briefly practiced law, Carmichael was captivated by the syncopated rhythm and improvisational style of Jazz Great Bix Beiderbecke. Carmichael's simple, unpretentious ballads began catching the public's ear in 1931 with his first hit, Star Dust. The more than 50 standards he wrote include Georgia on My Mind, Ole Buttermilk Sky, Lazybones, The Nearness of You and In the Cool, Cool, Cool...