Word: rhythmed
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...Vedder sounded like he had the weight of the world on his shoulders. “Backspacer,” by glorious contrast, features Vedder and the band deriving immense enjoyment from their craft. In every riff and solo, in Stone Gossard and Jeff Ament’s versatile rhythm section and Matt Cameron’s punchy drumming, their pleasure and relaxation can be felt. But the biggest revelation is Vedder. For the first time, the lyrics are upbeat, not dwelling on the world’s woes so much as engaging with the hope of overcoming those difficulties...
...freeform that they progress along an undetermined path, ending with little resolution or warning. The opening track, “Husks and Shells,” begins with acoustic guitars tuning and warming up in the distance. Eventually, the guitars settle on a melody, but never on a rhythm, and the melody is repeated erratically. In the distance, a faint metronomic beeping and various guitar notes are delicately enhance the natural vibe. In between the seemingly improvised guitars is Vernon’s ethereal humming floating softly above. It sounds genuinely like what the first collaboration must have sounded like...
...last Saturday. Harvard hopes that last night’s strong second half play can carry over into its Ancient Eight home opener against Penn this Saturday. Specifically, the Crimson aims to employ a more organized attack. “We’re looking to find a rhythm early with our offensive attack and take the experience of playing a top team in the country into the rest of our season,” Tassopoulos said. Harvard’s next opponent, the 2-4 Quakers, should provide less of a challenge than No. 5 Connecticut. However, as Harvard...
...improved defense on Saturday afternoon but fell to Fordham for the second time this season. The Rams (6-6, 0-0 Northern Division) came out with a 4-1 lead over the Crimson. Harvard pulled within one point, sitting at 4-3, but the Rams seemed to find a rhythm and controlled the contest for the rest of the way, scoring four of the next five goals...
...guitar solo. “Nothing to Hide” is more ragged but still impeccable. Drawing on the raw, garage-rock sensibility of “Fuckbook” (the March LP of their alter-egos, Condo Fucks), the band refines the genre with more polished harmonies, precise rhythms, and bright, crisp organ.The album’s centerpiece comes, fittingly, at song 6 of 12 tracks. “If It’s True” begins with a bass line immediately echoed by soaring strings. Sonically, it’s a perfect, retro pop gem?...