Word: rhythmed
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...like. Normally, if I don’t like something at first, I like it as I listen to it more.” “Looking back on it now,” he said, “I realize that what draws me to music is rhythm, a good beat...
...over again, would you have started drawing firmer contrasts with Senator Obama earlier during the primary process? Well I think that every campaign has a rhythm to it. This campaign has had a lot of interesting twists and turns. One of the events that I believe helped me in the elections yesterday was the realization that Senator McCain was going to be the Republican nominee. Democrats and independents suddenly said, "Oh boy, this is going to be interesting. We better vote for someone who can go up against Senator McCain." No one could have predicted that, but that...
...beyond the arc for the night, but sophomore Lauren Benson’s gutsy trey cut Harvard’s lead to one with just under two to play. The first half lacked the back-and-forth drama that came later on, as the Crimson struggled to find offensive rhythm out of the gate. Cornell looked a step too quick for Harvard, and pushed a frenzied pace en route to an eight-point lead—the largest margin either team would enjoy all night. Big-game jitters seemed to affect the Crimson, which failed to convert easy opportunities around...
...glass slide to approximate the synth lines of earlier Magnetic Fields albums. The cello was coated in crisp, low-frequency reverb that took full advantage of Somerville Theater’s excellent acoustics. Bass notes seemingly resonated forever, and higher parts sounded full and organic. Merritt played mostly rhythm on the bouzouki, sharing lead vocals with pianist Claudia Gonson and Shirley Simms, the band’s new singer. Claudia’s upright piano was padded to muffle high-frequency resonance, yielding full but unobtrusive background chords and soft, understated scraps of twee melody. Individually, Shirley, Claudia, and Merritt...
...which starts as a soulful rap about a lack of socioeconomic progress in the African American community, ends with Howard Beale’s words from the 1976 movie “Network.” His speech is first reversed to produce a sort of poetic rhythm set against sped-up, mixed-down audio effects that convey a distinctly weird feel. Beale’s unaltered vocalizations ring out: “All I know is you got to get mad. I’m a human being, dammit! My life has value!” Harmonically...