Word: rhythmic
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Dates: during 1960-1969
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...signs of this new rock is its emphasis on intricate rhythmic patterns of voices. The Family Stone manage to carry these off on both fast and slow songs but Chaka was successful mainly on the up-tempo numbers. Gilbert Moses on lead guitar contributes deft Cropper-like touches, and the band generally held together well--particularly on a superb sliding easy version of "My Girl." This new city-soul sound is, of course, heavily influenced by Booker T., and Chaka showed this in its obvious delight and skill at playing "funky instrumentals...
...although somewhat inhibited technically, maintained metrical control and instrumental balance. In his propriety of gesture he was refreshingly free from both the hysterical and praying mantis perversions, conducting with simple, effective judiciousness resulting from the unself-indulgent understanding of a work. The few instances of imprecision, such as slight rhythmic tediousness in the "Marche du Soldat," unsettled trumpet playing in the difficult "Marche Royale," and a careless-bassoon duet in the "Brook" were hardly noticeable amid excellent solo and ensemble work. This delightful compendium of street band, drawing room, Hades, the gently-watered country-side, and dance hall is unlikely...
...Webern, a forbidding set of pieces, was for me the Orchestra's finest effort, thanks to strong performances by the principals, especially the first horn. Apart from the low winds' curious timbre, the only real problems were relatively small ones: a lack of rhythmic incisiveness in number Four, a Westminster chime, and some languid contrasts...
...Aggressive. In his early critical writings, just published in Notes of an Apprenticeship (Knopf; $8.95), Boulez criticized almost every leading composer except his idols, Debussy and Webern. While praising Stravinsky's rhythmic innovations in Le Sacre du Printemps, Boulez rapped him for his unwillingness to surrender diatonic melody-and reliance on the tonic and dominant-in favor of serialism. As for the father of serialism, Arnold Schoenberg, Boulez took him to task for failing to apply the serialistic principle of melodic organization to other aspects of music like timbres and intervals between notes...
...been submitted by PULSA, a research group from the Department of Art at Yale, to install 55 strobe lights under the surface of the normally staid Swan Pond, and to surround the Public Garden with 52 polyplaner speakers. The whole computer operated program promised "a factual, physiological experience of rhythmic patternings of light and sound energies, the rate and scale of which resemble the neuro-electrical basis of human consciousness...