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Word: rhythmical (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...most part, the piece glows with an inner, radiant simplicity in which elements of the contemporary harmonic and rhythmic language are mingled with sureness and originality-of a different scope certainly, but at least on an equal plane, with the kind of deeply thought-out stylishness that characterized Brubeck's jazz work at its best. "I am quitting at my peak," said Brubeck of the quartet's disbandment, and Light in the Wilderness bears this...

Author: /time Magazine | Title: Jazz: Dave Becomes David | 1/26/1968 | See Source »

...Rhythmic Digitals...

Author: By Robert P. Marshall jr., | Title: Harvard Braces for New Rock 'N Roll Quiz | 1/22/1968 | See Source »

...Davis, 40, ranks as Britain's best conductor since Sir Thomas Beecham. He has a relatively wide repertory, ranging from Mozart through Berlioz to Stravinsky, and an uncanny talent for instilling the faded and familiar with fresh life. His straightforward technique combines grace with precision and gravity with rhythmic bite, and his touch in the opera pit is firm and stylish...

Author: /time Magazine | Title: Conductors: Gypsy Boy | 1/19/1968 | See Source »

...French Composer Pierre Boulez, 42, has the punctilious Gallic virtues: rhythmic deftness, a feeling for nuance, pointillistic detail. In compositions from Debussy through Anton Webern to Boulez, few conductors can equal his idiomatic mastery of bristling complexity and tangy dissonance. He probably never will build a repertory of the standard war horses; as a freelance conductor, he remains a self-confessed dilettante who works "entirely for pleasure...

Author: /time Magazine | Title: Conductors: Gypsy Boy | 1/19/1968 | See Source »

...difficult choice. Seth Carlin is the most virtuosic pianist I have heard at Harvard. His performance of the Rachmaninoff Second Concerto displayed a near-perfect technical mastery of that demanding score. The runs and complicated accompaniment figures came through clearly without covering the melodic line. Carlin also demonstrated rhythmic control and power that put his playing on a professional level...

Author: By Philip N. Moss, | Title: Concerto Contest | 1/15/1968 | See Source »

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