Word: rhythmical
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Beethoven exhibited a string section that was competent and solidly in control despite purported despoliation by this year's Bach Society Orchestra. Under conductor James Yannatos, the orchestra played with just the right kind of classical clarity and transparence. These qualities are more difficult to master than the rhythmic complexities of contemporary music or the pyrotechnics of late nineteenth-century orchestral style. All the elements which are so important in Beethoven--dynamic contrast, elegance of phrasing, orchestral balance--were consciously and sensitively achieved by orchestra and conductor. For the first time in three years, the HRO actually played subtly...
...sure sign of musical anarchy if everything in a composition comes out sounding the same. This is especially if the music is new and unfamiliar. But Schuller's Bagaetelles are full of contrasts--dynamic, textural, rhythmic--and the orchestra brought them out vividly and strikingly. Here the orchestra received a bit of unplanned assistance from the Cambridge Fire Department. At the end of the Third Bagatelle, the rising wail of the fire siren coincided exactly with the solo 'cello's ascending glissando. It was probably the only time 'cellist Martha Babcock smiled during a concert...
...climax-Beethoven's formidable Ninth ("Choral") Symphony-was a feat of musical levitation. The intelligence and spirit of the interpretation, along with the sheer force and clarity of Shaw's baton, lifted the performance above its own technical flaws-some faulty string playing, moments of rhythmic dislocation-to provide music that frequently soared with an exhilarating sense of freedom...
Derivative Mewing. Not so long ago, the pop scene was going nowhere. Rock 'n' roll had catapulted into the bestseller charts in the 1950s on the chugging riffs of Bill Haley and His Comets (Rock Around the Clock) and the rhythmic caterwauling of Elvis Presley. But even they were bleached-out copies of the vibrant, earthy rhythm-and-blues sung in the subculture of Negro music. Until the early 1960s, rock 'n' roll went through a doldrum of derivative mewing by white singers, with only occasional breakthroughs by such Negroes as Ray Charles and Fats Domino...
...group called the Satyrs, which occasionally accompanies its pulsing din with such tape-recorded sounds as those of a thunderstorm or a subway train. Classically trained, Steig (son of Cartoonist William Steig) hums into as well as plays his amplified flute, mixes shimmering, bluesy cascades of notes with jabbing, rhythmic interjections, sometimes bending tones into piercing dissonances, sometimes dissolving into trills or fluttery tremolos. Jazz Critic Whitney Balliett describes Steig's musical message as "messianic, for it suggests the way out of the gloomy muddle that jazz has fallen into." > Larry Coryell, 24, guitarist in the Gary Burton Quartet...