Word: rhythmical
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...blues, soulin' is a Rawls specialty. His style is all his own. Drawing from a mixed bag of songs, he improvises effortlessly within a three-octave range, spiraling up to a keening, gospel wail, then swooping down to a gritty, resonant bottom. Betwixt and between, he intersperses rhythmic lick-ety-split soliloquies. He will lead into Streetcorner Hustler's Blues, for example, by telling of a two-timing hippie who pleads with his knife-wielding wife to take his white-on-white Cadillac "butjustdon'tcutmynewsuit'causeljustgotit outofthepawnshopandlgottohavemy-frontsolcankeepmakingmygame." The tumbling litanies lend a lively, mirthful twist...
...TEMPTATIONS GREATEST HITS (Gordy). Rhythm 'n' blues is the growing noise nowadays, challenging rock 'n' roll on the charts, and no group is truer blue or more insinuatingly rhythmic than the five Temptations. Eight of the dozen songs are by Bill "Smokey" Robinson, including those catchy classics from an earlier album, The Temptations Sing Smokey: The Way You Do the Things You Do and My Girl...
...newspaper critic was driven to suggest that a young sculptor, viewing the exhibit, might want to cut his throat in despair. Actually, the pulse of contemporary sculpture, as recorded by the Whitney's new curators, may be measured to the point of monotony but it is strong and rhythmic...
...orchestra was disappointing in Schubert's Symphony No. 5. The first movement was rushed, and the slow movement was uncomfortably splattered with bad intonation and overlooked sharps and flats in the strings. In the minuet the strings were not together with the winds, and were themselves in internal rhythmic strife. The finale was more compelling, especially near the end. When the players were in tune and together, the orchestra, though small, made a big, rich sound. The winds were generally dependable, although the horns occasionally faltered and the oboes battled as to which of them would play more...
...feet of the master, craned in their chairs to watch and listen. Feet dancing, hands whirring like propellers, he sparked a kind of static electricity between cymbals and drums, tossing in an extra riff here, a random bass line there. His rolls were incredibly fast, his technique and rhythmic continuity flawless...