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...bounding beat on bass and drums (Jimmy Woode and Sam Woodyard). The Duke himself tweaked an occasional fragment on the high piano. Gradually, the beat began to ricochet from the audience as more and more fans began to clap hands on the offbeats until the crowd was one vast, rhythmic chorus, yelling its approval. There were howls of "More! More!" and there was dancing in the aisles. One young woman broke loose from her escort and rioted solo around the field, while a young man encouraged her by shouting, "Go, go, go!" Festival officials began to fear that something like...

Author: /time Magazine | Title: Music: Mood Indigo & Beyond | 8/20/1956 | See Source »

Heartz' harpsichord playing had some rhythmic tentativeness and wrong notes, but was adequate on the whole. As soloist he played Byrd's showy Praeludium and jaunty variations on the folk tune The Carman's Whistle. But most intriguing was Hugh Aston's Hornepype, taken from the earliest source of English harpsichord music; this too was a set of variations--not on a tune, but rather on a repeated bass pattern. It is striking for its period in its unusual length, and in the fact that it has an ever-increasing intensity whereas most Renaissance pieces preserve their initial level throughout...

Author: NO WRITER ATTRIBUTED | Title: Concerts of the Week | 8/2/1956 | See Source »

...sings only a few notes. He speaks his songs, putting them over by subtle changes of pitch and by his timing-which is the envy of the profession. To actors, timing means not only pacing one's words and gestures to make them clear, but also establishing a rhythmic rapport with the audience. A theater audience is an unwieldy mass, and men who can control its feelings as a fly fisherman controls a trout are rare indeed. Rex is still working to dovetail his acting with the reactions of the audience, changes something in every performance. "The writer...

Author: /time Magazine | Title: The Theater: The Charmer | 7/23/1956 | See Source »

Back nearer to home, meanwhile, the famous Esplanade Concerts by what amounts to the Boston Pops Orchestra will be sending rhythmic ripples out over the moonlit waters of our own Charles River. The concerts, which are "half-classical," will take place every evening starting tonight (July 2) and lasting until July 14, with the exception of Saturday, July 7. The site is the Hatch Memorial Shell just off Boston's Storrow Drive, and the price, happily enough, is nothing. Just get on the subway and bring a blanket...

Author: NO WRITER ATTRIBUTED | Title: Music, Music, Music | 7/2/1956 | See Source »

Organ recital given Sunday afternoon in Memorial Church by seven Harvard, Wellesley and Radcliffe students. General level of performance surprisingly high. Best playing done by James Armstrong (Mendelssohn's Second Sonata) and Kerala Johnson (the long-winded B-Minor Choral of Franck). The others need to work for greater rhythmic precision and vitality, and for clearer articulation...

Author: By Our MAN Caldwell, | Title: Notes on Recent Concerts | 5/22/1956 | See Source »

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