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...dewy blond or a postadolescent waif, so Carla Cook would seem to be facing a rocky path across the current jazz terrain. But she can sing--really sing. Situating her gospel-tinted voice in a propulsive rhythmic groove, she proceeds to bend the blues, rehabilitate some standards (by Simon and Garfunkel as well as by Duke Ellington) and scamper through a couple of her own intriguing compositions. Simply Natural may fall an inch short of her spectacular last CD, Dem Bones, but that's no insult. Cook can cook. --By Daniel Okrent

Author: /time Magazine | Title: MUSIC: SIMPLY NATURAL | 10/14/2002 | See Source »

...infotainment,” however, it carefully undermines conventional forms, eschewing capital letters and most useful punctuation. The result is a kind of aphasic word-pile of nouns and prepositions that emerge from our world but do not resemble it, compelling us with their strange and rhythmic beauty...

Author: NO WRITER ATTRIBUTED | Title: comp this! | 9/26/2002 | See Source »

That kind of humor, along with Eve's delivery, as loud and rhythmic as the whirr of a helicopter blade, sets Eve-Olution above 2002's mediocre crop of hip-hop CDs. The beats are merely competent, never original enough to stand on their own, but Eve-Olution's worst point, inadvertently suggested by its name, is its self-righteous social Darwinism, an outlook voiced 9 million times in hip-hop. "I got to win at any cost," Eve raps on Satisfaction, and she won't tolerate jealousy from those who haven't made it. She's witty and talented...

Author: /time Magazine | Title: Music: Watch Your Mouth, Adam | 9/2/2002 | See Source »

...collection also touches on Sacks’ lifelong infatuation with water. An avid swimmer, Sacks once noted in an interview with the Harvard Gazette, “I feel the desire to immerse myself in another element which is uncontrollable, mysterious, beautiful, rhythmic, and which is related to my desire to engage with poetic language as a medium...

Author: By Z. SAMUEL Podolsky, CRIMSON STAFF WRITER | Title: Father of Necessity | 5/3/2002 | See Source »

...Cruel is the true successor to such Costello classics as This Years Model and Armed Forces. “45,” the first track, could have been an outtake from the latter. Candy-coated organs and big drums abound on this record alongside the trademark rhythmic tics for which Costello is so highly regarded. Never has neurosis been as danceable as on the back-alley jam “Spooky Girlfriend...

Author: By Ian R. Mackenzie and Daniel M. Raper, CRIMSON STAFF WRITERSS | Title: The Week | 5/3/2002 | See Source »

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