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While Iowa is less hip-hop flavored than the band’s self-titled debut, it still has a more rhythmic and groove-oriented hook than the works of current metal purists like Pantera or Nevermore. The album combines traditional metal structure with moments of hip-hop bounce, and stirs them with a healthy dose of death metal precision and hardcore aggression...

Author: By Michael T. Packard, CONTRIBUTING WRITER | Title: Heavy Metal | 11/9/2001 | See Source »

They began conversing and moving around. She then emerged, leaving Jenkins to remain in the bag. Ono took the microphone and began screaming and singing incomprehensible words to the rhythmic beat of drums. With blurry, abstract images of people as a backdrop, she interacted with the audience, moving to different parts of the room, and sang, “Where do we go from here...

Author: By Anat Maytal, CRIMSON STAFF WRITER | Title: Yoko Ono Installs ‘Mend Piece’ | 10/22/2001 | See Source »

...Cooder gathers some of the greatest veteran performers in Cuban music to collaborate on the album Buena Vista Social Club. The success of the bestselling, Grammy-winning recording spawns a documentary of the same name by Wim Wenders, as well as a worldwide tour, and brings the lilting, sensuously rhythmic music from the old Havana of the 1940s and '50s to an international audience...

Author: /time Magazine | Title: Music Goes Global: Border Crossings | 9/15/2001 | See Source »

Brazilian singer-songwriter Moreno Veloso, 28, sings like a sleepy puppy dog and strums his acoustic guitar as if it were liable to crumble in his arms. On Music Typewriter (Hannibal), the first album by his group, Moreno Veloso + 2, his sweetness is offset by the steely rhythmic support provided by Domenico Lancelloti on electric drums and Alexandre Kassin on electric bass. In addition, Veloso's lyrics flow in both warm and cold, bristling with restraint one moment and full of affection and vulnerability the next. On Arrivederci, he sings, in Portuguese, "I don't like you that much/But every...

Author: /time Magazine | Title: Fast Forward: Moreno Veloso | 9/15/2001 | See Source »

DIED. BOOZOO CHAVIS, 70, Louisiana-born King of Zydeco who helped popularize the genre with his 1954 Paper in My Shoe; in Austin, Texas. He packed dance halls with his rhythmic sounds till the late '50s when he began a long hiatus. But upon hearing about an impersonator in 1984, he returned to launch a renaissance of button-accordion zydeco...

Author: /time Magazine | Title: Milestones May 21, 2001 | 5/21/2001 | See Source »

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