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Word: rhythmical (lookup in dictionary) (lookup stats)
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...date, Adams has erected huge choral pillars to frame the action and provide context. In between, he spins out long, shimmering arias whose sinuous lines deny the listener the security of a conventional verse-chorus-verse structure. Once a card carrying minimalist, the composer now weds a sturdy rhythmic pulse with a freer melodic and harmonic idiom that can evoke with equal aplomb a Monteverdi arioso, a Mendelssohn scherzo or Duke of Earl...

Author: /time Magazine | Title: Art And Terror in the Same Boat | 4/1/1991 | See Source »

...series of five recitals at New York City's Alice Tully Hall between now and April 21. She will also perform some of the sonatas in other cities, including Philadelphia, Toronto, Washington and Pittsburgh. Uchida, 42, plays her specialty with a remarkable combination of energy and tenderness, a considerable rhythmic freedom and a lovely tone. This spring Philips Classics is rereleasing her recordings of these sonatas, along with a splendid new recording of Mozart's piano concerti Nos. 15 and 16, accompanied by the English Chamber Orchestra and conducted by Jeffrey Tate. Born in Japan, trained in Vienna...

Author: /time Magazine | Title: Critics' Voices: Mar. 25, 1991 | 3/25/1991 | See Source »

...COMPLETE DEAN BENEDETTI RECORDINGS OF CHARLIE PARKER (Mosaic). Alto saxophonist Charlie Parker almost single-handedly changed the course of jazz history with his lightning-fingered improvisations, rhythmic subtleties and harmonic genius -- not to mention the fast-living, drug-shooting life-style that led to his death at 34 and was, unfortunately, widely imitated by his contemporaries. One such was Dean Benedetti, a West Coast jazzman who copied Bird in every way he could, down to and including his own premature death at 34. But Benedetti left behind an extraordinary legacy: a cache of impromptu recordings that he had made...

Author: /time Magazine | Title: Critics' Voices: Jan. 28, 1991 | 1/28/1991 | See Source »

...what have its members got to show for it? Folks still have trouble with the name. "In excess" would be phonetically correct, but it lacks the cool mystery of those four uppercase letters, which make the lads loom large, like something mythic: six electrified Druids with some new rhythmic spells to weave...

Author: /time Magazine | Title: Music: The Success Of Excess | 12/17/1990 | See Source »

INXS may have built their considerable success the old-fashioned way, as performers rather than video icons, but their music is snazzy and right up to the second. It has good melodic hooks (thanks to Farriss) and strong rhythmic underpinnings (courtesy of his brothers Tim, 31, on rhythm guitar, and Jon, 28, on drums, as well as bassist Garry Gary Beers, 28). It has a surprisingly soulful flow (from the sax of Kirk Pengilly, 29, who also plays lead guitar) and, in Hutchence's dramatic vocals, anthemic ambitions...

Author: /time Magazine | Title: Music: The Success Of Excess | 12/17/1990 | See Source »

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