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Sometimes Phillips is almost willful in her virtuosity, and sometimes she is borne along too easily on waves of rhythmic prose. Nevertheless, her range is considerably greater than is common among her despair-addicted contemporaries, as is her fugitive grace. Where Ann Beattie's characters, for instance, are habitually on Valium, Phillips' are generally on speed; while Beattie's have surrendered to nothingness, Phillips' are still in search of something. Nearly all the stories in Fast Lanes are, like their characters, fascinated with gymnasts, tightrope walkers and others who find ways to steady and ground themselves. And the best...

Author: /time Magazine | Title: Books: Loose Ends FAST LANES | 6/1/1987 | See Source »

Even before Pope John Paul II arrived, the rhythmic chant thundered through the packed stadium in Santiago. "Chi-Chi-Chi, le-le-le!" shouted 80,000 exuberant teenagers, stomping their feet and shaking the arena. Then they began to chant "Pin-o-chet, go away!," conscious that they were on the site where scores of Chileans were killed and hundreds tortured after the 1973 coup in which General Augusto Pinochet Ugarte toppled elected Marxist President Salvador Allende Gossens. His voice trembling, the Pope acknowledged the "sadness" of the place and urged his audience "not to remain indifferent in the face...

Author: /time Magazine | Title: Chile Bearer of Unwelcome Tidings | 4/13/1987 | See Source »

...sound of rhythmic clapping by more than 150 protesters outside the courtroom, Chief Judge Vladimir Stiborik sentenced Karel Srp, 50, the Jazz Section head, to 16 months in prison and Secretary Vladimir Kouril to ten months. The other three drew suspended sentences. Noting the relative leniency, a Western diplomat called the trial a "symptom of this regime's schizophrenic response to Gorbachev...

Author: /time Magazine | Title: Czechoslovakia: An End to All That Jazz | 3/23/1987 | See Source »

Punk attire aside, the Kronos can really play. Somewhat surprisingly, the highlight is the Nancarrow, a straightforward, approachable, quasi- Bar-tokian work in three movements. It predates Nancarrow's dense, mind-boggling, rhythmic experiments in his Mexico City studio with the player piano, which later became his chosen medium of expression. Emotionally stirring, the piece deserves wider currency. And the swooping, sliding, fuzz-toned Purple Haze must be as close as a string quartet is likely to come to playing acid rock at the Fillmore. Jimi was never like this. Can Janis be far behind...

Author: /time Magazine | Title: Music: Once Upon a Time in America | 11/17/1986 | See Source »

Sweet deliverance! Finally a dance anyone can do -- a fast dance, a hot dance -- without looking like a candidate for a physical-rehabilitation class. A little flame and no shame. Slick stepping and sexy navigating, with no bruised knees. And no characters on the floor making jokes about the rhythmic capabilities of most native North Americans. "It's a very simple dance, not complicated," says Gloria Senor, who, with her husband, runs a dance band in Miami. "It's a two-step." It's the merengue. It's bliss...

Author: /time Magazine | Title: Living: You Can't Stop Dancing | 10/6/1986 | See Source »

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