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Word: rhythmically (lookup in dictionary) (lookup stats)
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...master of expression. He could give a bronze skull a terrible, impacted and bulletlike solidity, the very reductio of death; or paint a jug so that it seemed distended with anxiety; or confer on the rounded limbs of his mistress in the '30s, Marie-Therese Walter, a rhythmic and sensuous languor that might otherwise have vanished from the nude after Ingres. No modern artist has been able to pack more sensation into a form than this Spaniard, engaged in his lifelong conversation with Eros and Thanatos...

Author: /time Magazine | Title: Art: Pablo Picasso:The Painter as Proteus | 4/23/1973 | See Source »

...others that don't. And aside from Gould and a stoned-out Sterling Hayden (Altman's film embarrasses us with this great screen presence's one enormous bust), the director's cast is good enough to follow him. Vilmos Szigmond's neon-tinged photography and Lou Lombardo's understated, rhythmic editing help a lot--as they did in their other Altman collaborations...

Author: By Michael Sragow, | Title: Kissing Off Chandler | 3/26/1973 | See Source »

...problems, however, in the songs themselves. Some of her musical themes start out promising to be catchy or sad or rousing. Unfortunately, she doesn't expand on these motifs; no variations in rhythm or melody surround the original cores. The result is a group of songs--each with the rhythmic variety of a chain-link fence--which do, after a while, become a trifle wearing...

Author: By Peter M. Shane, | Title: Ono-nism | 3/12/1973 | See Source »

...actual performance of Jeax was exemplary-exceedingly clean in texture and rhythmic accuracy, and appropriately tensile in overall structural concept. Unhappily. Afternoon of a Fann was treated in much the same way. Despite the barrage of controversy concerning impressionism, by which the piece is usually described (Boule/ for instance, feels justified in saying that title is taken. Tilson Thomas' performancy was devoid of any impressionistic aspects...

Author: By Stephen E. Hefling, | Title: Michael Tilson Thomas | 1/17/1973 | See Source »

Ferris's attention to detail was generally more evident in Part II where the orchestration obscures the subtleties far less than in Part I. The ritard at the end of the first chorale was effective, while the firm rhythmic control lent tremendous excitement and emphasis to the Gloria chorus. The Gloria forms an intriguing comparison point between two grants of the high baroque Bach's thick yet clear counterpoint achieves great power with far less effort than Handel's more broken homophonic style in the Messiah section of the same text the chorus Glory...

Author: By Kenneth Hoffman, | Title: University Choir Sings | 12/15/1972 | See Source »

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