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...rock groups today, the Creedence Clearwater Revival is not much interested in talking up a revolution. Its four clean-cut, plaid-shirted members prefer to sing songs about where they came from and about problems among people, not social movements. As performers, they come on with a simple, bluesy, rhythmic, straight-ahead sound. That's not bad. San Francisco-based Creedence is riding the crest of today's strongest pop wave-blues-oriented rock. The group's first single, Susie Q., rose to No. 11 on the Billboard charts last fall. Proud Mary...

Author: /time Magazine | Title: Rock: Lean, Clean and Bluesy | 6/27/1969 | See Source »

...lack of experience in the bread-and-butter area of any symphony orchestra's life: the 19th century repertory. By and large he made his conducting reputation on no more than half a dozen works-notably Stravinsky's Le Sacre du Printemps, to which he brings astonishing rhythmic control and a primitive passion for the work's savage shafts of power. He does not much care for Brahms, Tchaikovsky, or Bruckner, but his conducting of Beethoven, Mozart and Haydn has been superb in its structural logic. During his Philharmonic stay, he attracted a younger, more intellectual audience...

Author: /time Magazine | Title: Conductors: Partisan Pied Piper | 6/20/1969 | See Source »

...dungarees, members of the cast drib ble a basketball, wrestle, somersault and shadowbox. Someone pumps back and forth on a child's swing. The seat of that swing will later serve as Harry of Monmouth's throne. The rising intensity of sticks beaten rapidly together, a rhythmic tapestry of violence, suggests a neighborhood gang rumble. One knows in one's slightly chilled bones that this war is not going to be fought on the dap pled green fields of Eton but on the harsh black asphalt of a city playground...

Author: /time Magazine | Title: Repertory: Tapestry of Violence | 6/13/1969 | See Source »

...come on the stand bearded and bowed, seemingly dwarfed by his big horn, smiling mischievously. The notes would stumble at first, and the tremolo might widen into an uncontrolled wobble of sound-but sooner or later Hawk would explode into a solo that recalled earlier days: warm, austere, unfailingly rhythmic even in the midst of a caressing ballad. Afterward he might laugh a little, as if sharing the private pleasure of self-rediscovery with his audience. "He put a lot of beauty into his playing," said Drummer Eddie Locke, a longtime friend. "He was full of music...

Author: /time Magazine | Title: Jazz: Farewell to the Hawk | 5/30/1969 | See Source »

...terminal and key road junctions on the sprawling city's edges. Sonic booms occasionally rattle the windows of Cairenes as MIG fighters scramble daily on simulated interception missions. Through the clear air, as gun crews perfect their skills in the nearby desert, come the crump of artillery and the rhythmic tat too of antiaircraft fire...

Author: /time Magazine | Title: World: THE PAINFUL PRESIDENCY OF EGYPT'S NASSER | 5/16/1969 | See Source »

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