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...lyrics are complemented by an insistently rhythmic organ and Sonny Boy's incredible crying harmonica. The combination of the lyrics and the music creates sadness, loneliness, and despair--the Blues--and yet the sound of his slashing harp and insistent flowing rhythm section indicate that despite his blues Sonny boy can still swing and by singing and playing the Blues he is able to transcend his blues...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...busy, too fussy, too blatantly overloaded with message. Possibly because they meant so much to the artist, they lured him into abandoning his cardinal principles of art. Munch developed his spare "symbolistic" style about 1892. It was based on the elimination of modeling and minor details, on emphasizing rhythmic contours and outlines. Above all, it meant subjugating technique to subject, then crystalizing subject itself into a single unforgettable image...

Author: /time Magazine | Title: Lithography: Three Faces of Eve | 2/21/1969 | See Source »

...signs of this new rock is its emphasis on intricate rhythmic patterns of voices. The Family Stone manage to carry these off on both fast and slow songs but Chaka was successful mainly on the up-tempo numbers. Gilbert Moses on lead guitar contributes deft Cropper-like touches, and the band generally held together well--particularly on a superb sliding easy version of "My Girl." This new city-soul sound is, of course, heavily influenced by Booker T., and Chaka showed this in its obvious delight and skill at playing "funky instrumentals...

Author: By Salahuddin I. Imam, | Title: New Rock Concert | 12/19/1968 | See Source »

...although somewhat inhibited technically, maintained metrical control and instrumental balance. In his propriety of gesture he was refreshingly free from both the hysterical and praying mantis perversions, conducting with simple, effective judiciousness resulting from the unself-indulgent understanding of a work. The few instances of imprecision, such as slight rhythmic tediousness in the "Marche du Soldat," unsettled trumpet playing in the difficult "Marche Royale," and a careless-bassoon duet in the "Brook" were hardly noticeable amid excellent solo and ensemble work. This delightful compendium of street band, drawing room, Hades, the gently-watered country-side, and dance hall is unlikely...

Author: By Chris Rochester, | Title: Wind Ensemble | 12/19/1968 | See Source »

...Webern, a forbidding set of pieces, was for me the Orchestra's finest effort, thanks to strong performances by the principals, especially the first horn. Apart from the low winds' curious timbre, the only real problems were relatively small ones: a lack of rhythmic incisiveness in number Four, a Westminster chime, and some languid contrasts...

Author: By Chris Rochester, | Title: HRO | 11/12/1968 | See Source »

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