Search Details

Word: rhythmically (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...tended to ignore the fact that he is utterly dependent on the biosphere: a vast web of interacting processes and organisms that form the rhythmic cycles and food chains in which one part of the living environment feeds on another. The biosphere is no immutable feature of the earth. Roughly 400 million years ago, terrestrial life consisted of some primitive organisms that consumed oxygen as fast as green plants manufactured it. Only by some primeval accident were the greedy organisms buried in sedimentary rock (as the source of crude oil, for example), thus permitting the atmosphere to become enriched...

Author: /time Magazine | Title: Essay: THE AGE OF EFFLUENCE | 5/10/1968 | See Source »

...characteristic tone of Updike's prose is elegiac. He is, by his attention to it, paying homage to the world, preserving it, transfiguring it, declaring it all worth saving. One can quote at random from his novel, for every page has gems of observation, rhythmic and charming passages of prose. Only the transcribed stream-of-consciousness of Piet is ever dull or banal...

Author: By Jay Cantor, | Title: Couples | 5/8/1968 | See Source »

...impossibly fat old patron. The Battle of Shrewsbury is simply the finest, truest, ugliest war footage ever shot and edited for a dramatic movie. Welles fills Falstaff with motifs to create visual unities: the vast castle wall which dominates shot after shot; the oppressive vacuity of Spanish winter; the rhythmic alternation of static shooting and frenetic camera movement, the visual equivalent of the dramatic-thematic alternation of age and youth. These moments, sequences, unities and transitions are the true substance of film, and it is out of them, more than the familiar words, that Welles's reading is constructed...

Author: By Peter Jaszi, | Title: Falstaff | 4/30/1968 | See Source »

...both music and text Carmina Burana is about the body, and it rarely even pays lip service to the soul. Under Forbes' vigorous direction, chorus and orchestra turned every available muscle to the task and produced violently contrasting dynamics and bruising rhythmic drive. The choir commanded a seemingly inexhaustable supply of volume which swept in wave upon wave, a high powered form of the "Bolero" crescendo. The attacks of the chorus and orchestra were explosive and for the most part precise...

Author: By Lloyd E. Levy, | Title: Harvard Glee Club | 3/25/1968 | See Source »

...strong, rhythmic Schubert's Third Symphony opened Saturday evening's program; basses and celli played with striking clarity, and the string sound was alive and tuned. The last three movements were less compeling in rhythm than the first, and the winds were often out of tune, but these were minor obstacles to the emotional realization of the music, which was always there...

Author: By Lewis Keler, | Title: Bach Society Orchestra | 3/18/1968 | See Source »

Previous | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | 137 | 138 | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | 148 | Next