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...serial composition." Boulez likened the four sections which follow the introduction of this single-movement work to the four movements of the sonata. At the same time, he says, there is an opposition between quasi-thematic motifs derived from the fundamental series of the work, and athematic uses of rhythmic cells, i.e., short rhythmic groups...

Author: By Joel E. Cohen, | Title: Pierre Boulez | 3/19/1963 | See Source »

Along with the will power goes a Spartan regime, which specifies rhythmic breathing, with brisk walks, warm baths, cold rubdowns and a good night's rest. There is also a walloping dose of what sounds like near vegetarianism: a drink of warm water on awakening, only fresh fruit for breakfast (no coffee!), at least three glasses of water or juice during the morning, a sandwich and salad for lunch, more water or juice, and for dinner only light soup, fruit or green salad, with nothing headier than cottage cheese. Liquor is absolutely banned. So are pepper, mustard and other...

Author: /time Magazine | Title: Habits: One Way to Stop Smoking | 3/15/1963 | See Source »

...cliff-hanging melodies that grow out of his insistence that twelve-tone composition need not always be atonal. "There are alarming signs that composition with twelve tones may become a Cause," he wrote while working on his symphony, then proved his freedom from causes by building his music on rhythmic patterns outlawed by the canons of serial technique. The First Symphony opens with a lively burst of serial figures, repeated over and over in headstrong violation of Schoenberg's rules. Rushing excitement then gives way to the eerie calm of the second movement; the science-fiction-thriller sound...

Author: /time Magazine | Title: Symphonies: Eclectic Hermit | 1/18/1963 | See Source »

Father Flanagan. But Flanagan is often heard playing well beyond the range of the virtuosos he accompanies. His touch is perhaps the most melodic in jazz, and in improvisation a beguilingly simple rhythmic sense keeps his left hand engaged with the housework while his right hand goes downtown. In recording studios, where he is fondly known as "Father Flanagan," engineers preen on his performances because his easy handling of the piano avoids the percussive exaggerations that mar most jazz piano recordings...

Author: /time Magazine | Title: Music: Modesty's Rewards | 1/11/1963 | See Source »

With one eye on The Beggar's Opera, Bart has contrived a sort of lovable rogues' operetta, Oliver! is chockablock with songs that are as straightforward, single-minded and rhythmic as a choo-choo train, and they do keep the show steaming briskly and more or less merrily along. Five months on the road have given the company the treacherous confidence, on reaching Broadway, to overplay characters that were already over written to the point of caricature. The cast also knows where all the laughs are buried, and it squirrels them out with stagy anticipatory glee. Bruce Prochnik...

Author: /time Magazine | Title: Theater: Oliver Twisted | 1/11/1963 | See Source »

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