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...Senator Lyndon Johnson (who announced his plan for a legislative-executive commission on unemployment to report in 60 days) and Illinois' Senator Paul Douglas (President Eisenhower, "the kindly Kansan, has unwittingly become the captive of hard-faced men"). The U.A.W.'s Reuther, in a high-pitched, rhythmic singsong? pulled out all the stops, deriding Eisenhower for playing golf and quail hunting in Georgia, and conjuring up the memory of the good old days of World War II, when everybody was working overtime: "If we can have full employment and full production making the weapons of war and destruction...

Author: /time Magazine | Title: THE ECONOMY: I Will Eat That Hat | 4/20/1959 | See Source »

Wayland commented that Bernstein "employs a Greek-type chorus of three radio artists to relate--rather unfavorable--the antics of a suburban couple." He added that the piece was especially well adapted to his band, since it is "a combination of modern classical work, a Broadway show, and jazz rhythmic material...

Author: NO WRITER ATTRIBUTED | Title: Wayland Plans Show With Bernstein Opera | 3/23/1959 | See Source »

Ferras' legato passages spun out in long, honeyed strands of sound; his attack in the cadenza was as crisp as vellum. Throughout, he displayed a sweeping, rhythmic flair, a fluent, coolly lustrous tone. His Brahms had about it a quality of molded passion that far older artists might envy...

Author: /time Magazine | Title: Music: French Fiddler | 3/23/1959 | See Source »

Another major device is the degree of freedom Wolff affords his performers. While he may be mathematically precise at times, frequently he gives the pianist his head, allowing him to vary the written notes rhythmically or even choose notes of his own. In the shorter work he sets up a kind of game between the two pianists--each must follow a cue given by the other, and each has a certain number of alternatives for every cue. Wolff is writing for his performers quite as much as for his audience. In discussing this technique he does not refer to Western...

Author: By Edgar Murray, | Title: Revolution in New Music: Webern and Beyond | 3/20/1959 | See Source »

...orchestra occasionally lapsed into an unpolished, open sound, particularly in the Flute Concerto where it covered the soloist; but for the most part, Harbison's handling of dynamics was attentive, and in parts of the Piston, very exciting. A more intense beat, besides lending even more excitement, would add rhythmic sureness and vivacity. Otherwise, both his and the Orchestra's work indicates much to look forward to, and one hopes they will not become assimilated into the larger Harvard-Radcliffe Orchestra next year...

Author: By Paul A. Buttenwieser, | Title: Bach Society Orchestra | 3/9/1959 | See Source »

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