Word: rhythmically
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...last week in the Brittany villa at Lancieux, death at last stilled his rhythmic tongue at 84. He had missed by 16 years his youthful ambition to live to 100, had fallen short of his goal of 1,000 poems. But he had left behind him an ineffaceable imprint of his adventurer's appetite for the wild far places and the wild far things, in imperishable rhymed memorials to Claw-Fingered Kitty, Chewed-Ear Jenkins and Dangerous Dan McGrew...
...plot was regarded by Broadway wiseacres as something that belongs in the theatrical graveyard. But when the opening-night curtain fell, most critics were ecstatic. "Marvelous," said the New York Times's Brooks Atkinson. "If Mark Twain could have collaborated with Vachel Lindsay, they might have devised a rhythmic lark like The Music Man, which is as American as apple pie and a Fourth of July oration." Cheered the Herald Tribune's Walter Kerr: "The brightest, breeziest, most winning new musical to come along since My Fair Lady enchanted us all. [It's] a wow. A nice...
...Piero Coppola; Angel). This new entry in Angel's "Great Recordings of the Century" series presents Prokofiev's own performance of his Third Concerto as he recorded it in London in 1932. Pianist Prokofiev sails through the familiar, exhilarating, gently ironic music with a rock-sure rhythmic stride, a springy touch and a tone that can melt or soar into green lyrical fancies...
...Chamber of Deputies in Rangoon last week, troops in battle dress lined the streets; Bren-gun carriers patrolled the bazaars; anxious citizens stood nervously by, holding umbrellas against the monsoon rains and clutching their wind-blown longyis (Burmese sarongs). Inside the building, 248 Deputies were jammed together under the rhythmic movement of 18 ceiling fans that fluttered the loose ends of their yellow, pink and blue head kerchiefs...
...this picaresque libretto, Composer Kurka composed an astringent score for brasses, wind instruments and percussion only, omitting the strings. Strongly rhythmic, shot through with jazz influences, it occasionally offered a wry commentary on the action, provided at least two moments of moving lyricism: Schweik's apostrophe on war ("Who will go to the war when it comes?") and the Chorus of Wounded Soldiers ("Wait for the ragged soldiers") in the final scene. But overall, the music was too fragmented to be effective, or to redeem the curiously Panglossed-over view that marred the libretto : the apparent belief that Schweik...