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Word: rhythmically (lookup in dictionary) (lookup stats)
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...frequently dissonant polyphony" to "this dynamism [which] interprets life at its maximum intensity." But Louis grins wickedly and says: "Man, when you got to ask what is it, you'll never get to know." In his boyhood New Orleans, jazz was simply a story told in strongly rhythmic song, pumped out "from the heart" with a nervous, exciting beat. To Trumpeter Louis, jazz is still storytelling: "I like to tell them things that come naturally...

Author: /time Magazine | Title: Music: Louis the First | 2/21/1949 | See Source »

...Concerto in D for String Orchestra struck me as a wonderful illustration of the tricks Stravinsky can play with meagre and uninteresting material. Each movement centers around one simple idea. Only the rhythmic and forceful last movement, however, really interested...

Author: By F. BRUCE Lewis, | Title: The Music Box | 2/10/1949 | See Source »

Muzak's piped-in music programs had no spot for a composition in dead silence. But last week, hardy Manhattan concertgoers made a spot for Composer Cage's rhythmic, percussive "sounds & silence" music. At Carnegie Recital Hall for two nights in a row, Pianist Maro Ajemian thudded, clanked, bonged and chimed through 16 sonatas and four interludes on a "prepared" piano outfitted with bolts, screws, pieces of rubber and plastic stuck inside to short-circuit the tones. (After the first night, someone unCaged the piano, and the composer himself took three hours getting all the gadgets back into...

Author: /time Magazine | Title: Music: Sonata for Bolt & Screw | 1/24/1949 | See Source »

...pool of water signifying the vale of tears. Hungarian Bass Desire Ligeti and Soprano Olga Forrai had few standout moments; Bluebeard, with its conversational style of recitative and declamation, reminded some, of Debussy's Pelleas and Melisande. But Bartok's music, less fiercely dissonant and rhythmic, but more melodic than some of his later works, was indeed something that people would remember...

Author: /time Magazine | Title: Music: Bluebeard in Dallas | 1/17/1949 | See Source »

Rossini's score is not particularly original or inspired, but it is highly tuneful and rhythmic--the kind of thing you whistle for weeks after you've heard it. And after a few precarious measures at the very beginning of the show, the orchestra, under Goldovsky's direction, played with spirit...

Author: By F. BRUCE Lewis, | Title: The Music Box | 11/29/1948 | See Source »

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