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...graceful John Bovingdon is no ballet dancer; an uneasy press has generally described him as a religious, rhythmic, or "monodrama" dancer. Harvard-man Bovingdon (1915, magna cum laude), the baldest dancer since Harald Kreutzberg, toured Russia and the Orient in the 1920s and '30s, wearing a long beard, knickerbockers and sandals...

Author: /time Magazine | Title: BOARDS AND BUREAUS: The Yawn Quality | 8/9/1943 | See Source »

...Freedom from Want has been designated for the west panel. Here is portrayed Cornucopia pouring out its bounteous contents. . . . The fourth panel . . . will delineate Freedom from Fear. The ever-protecting element of mother love will be indicated by a mother holding her child in her arms. The carefree yet rhythmic motions of the nature dancer complete the theme for this panel...

Author: /time Magazine | Title: Art: Carefree Yet Rhythmic | 7/19/1943 | See Source »

...There are untold possibilities, the beauties of the spring sowing and the harvest, for instance, about which Wallace Woodworth could improvise a pastoral symphony in 100 voices. Can't you envision the swaying bodies of the reapers (brought in by the Student Union in truckloads from everywhere) and the rhythmic motion of their scythes. And then there are the social possibilities. Corn husking bees, with red ears a-plenty. Square dances in Dillon Field House, with chaff upon the floor...

Author: NO WRITER ATTRIBUTED | Title: THE MAIL | 5/17/1943 | See Source »

...Radcliffe Choral Society began the program with Purcell's "Nymphs and Shepards," and then modulated into Bartok's "Don't Leave Me" and "Only Tell Me," and concluded with a rhythmic rendition of Shubert's "False Noble." Continuing with Milhaud's "Psalm CXX," the Harvard Glee Club ended their section with three canons for men's voices by Mozart...

Author: NO WRITER ATTRIBUTED | Title: Glee Clubs Cooperate In Joint Performance | 3/1/1943 | See Source »

...piano is one who might be called the originator of present day jazz piano, James P. Johnson. It was Jimmy who developed the powerful, rhythmic style of the left hand, and the melodic right hand. His pupil, Fats Waller, is far more famous, but there is growing opinion that Jimmy is less stereotyped, and more flexible...

Author: By Eugene Benyas, | Title: SWING | 2/15/1943 | See Source »

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