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Eaton's meticulous planning extends even to the opera's rhythmic structure, with each character assigned his or her own basic tempo. Act II, for example, closes with a stirring, cacophonous ensemble of clashing rhythms and timbres as all the major characters sing simultaneously and Prospero exults, "My high charms work!/ and these, mine enemies, are all knit up/ in their distractions. They are in my power." What Eaton has done is not merely to set Porter's concise, three-act libretto, but to retell it in musical terms, creating a cognate of Shakespeare's play. It is a formidable...

Author: /time Magazine | Title: Music: When the Style Is No Style | 4/18/2005 | See Source »

Zwilich's new symphony is a 24-minute, three-movement, fast-slow-fast essay that daringly transforms the cello section into a collective soloist, a throaty protagonist locked in combat with the rest of the orchestra. Hard driving and explosive, the piece erupts from a single rhythmic idea that propels the music forward relentlessly. Even the moody slow movement cannot dilute the restless surge, which continues undaunted right to the final bar. Under Conductor Edo de Waart, the San Francisco players gave the 'Cello Symphony a committed, accomplished performance...

Author: /time Magazine | Title: Music: A Bold, Brash 'Cello Symphony | 4/18/2005 | See Source »

...upward and melting the ice cap, warns knowledgeable residents to head for safety. More sophisticated techniques include tiltmeters or laser ranging devices to detect deformations in the volcano cone, also caused by magma oozing upward. Seismometers are used to measure harmonic tremor around the volcano, a series of highly rhythmic shock waves associated with the motion of magma inside or beneath the cone. In Hawaii, a harmonic tremor lasting for some four to five minutes nearly always precedes an eruption...

Author: /time Magazine | Title: Volcano: In the Belly of the Beast: Scientists know what makes a volcano blow but still cannot say when | 4/18/2005 | See Source »

...performance, inspired by the music class, “Music 167: Electro-Acoustic Composition,” which the group of six is currently taking. The band’s disjointed set included a variety of seemingly mismatched musical instruments that ranged from a classical violin to the primitive, rhythmic pounding of a fist (this same fist seconds before had also gracefully danced on a laptop’s keyboard...

Author: By Michaela N. De lacaze, CONTRIBUTING WRITER | Title: ARTSMONDAY: Diamonds in the Rough | 4/18/2005 | See Source »

...work-hours, dancers move on and off the stage so that while at one moment it may be crowded with bodies, at the next, it empties, giving two or three dancers the chance to show off more refined steps. And although the tap dancing is well-done and pleasantly rhythmic, it is when the Loeb’s small stage is filled that the dancing makes a statement in line with the introductory spoken word performance...

Author: By Cara B. Eisenpress, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Urban Takes Center Stage | 4/18/2005 | See Source »

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