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...side of human nature. Empowering tracks such as "Rise Up" and "Giants" invite the listener to "rise up rise up and seize the time." Also featured on the album are an excellent reggae-pop version of the Beatles' "Ob-La-Di, Ob-La-Da" and a slower, slightly more rhythmic version of Carole King's "You've Got a Friend." These two bonus tracks "fit in with the theme of the album, which is love," Cliff explains in a press release. Cliff's sincere message of omnipresent love, whether it be the love of family, nature or life, reaches...

Author: By Arts Writers, CONTRIBUTING WRITER | Title: New Albums | 4/21/2000 | See Source »

...side of the theater's entrance, the other side was mobbed by sign-toting Bradley and Gore supporters - mostly white and college-aged. The Gore group dwarfed the Bradley contingent. And despite the bustle of 125th Street, upper Manhattan's main thoroughfare, the block was dominated by the rhythmic chant "You, you know the story. Tell the whole wide world this is Gore territory." Harlem congressman Charles Rangel, in a thinly veiled rehashing of his Gore endorsement, told the crowd: "We have to make sure that when it's all over we can stand together...

Author: /time Magazine | Title: Advantage to Gore in Showdown at the Apollo | 2/22/2000 | See Source »

...theater? Mostly lights and tricks. Music? Mostly sappy-sentimental, and rap--a rhythmic fusion of grunts and hisses, minus the notes. Like Wagner, it's not as bad as it sounds, but one misses doo-wop, pop and jazz, especially jazz. Teddy Wilson, Billie Holiday, George Gershwin, Miles, Ella, Satchmo, Bix. I hope they have survived. It is, of course, possible that you long for Dr. Dre and Limp Bizkit the way I long for Cole Porter, but are you crazy...

Author: /time Magazine | Title: A Letter To The Year 2100 | 1/1/2000 | See Source »

...album's blurry red cover art does indicate Lockgroove's hard, masculine sound, it doesn't convey how psychedelic that music can be. It throbs, like a beating red heart. "Come On," a signature track, uses minutes of wavy keyboard woven in with guitar and cymbals to introduce a rhythmic fusion of rock and elecronic music. Soon half-chanty, half-punky lyrics join in and there are occasional whistles and bells. But ultimately the sound is full of relentless waves of guitar, drum and keyboard...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: Album Review: Listen Up, It's Lockgroove | 12/17/1999 | See Source »

...establish a distinction between active battle and quiet days at camp, each fade-out is one more step away from the film's chance to redeem itself with a coherent story line. Hints of Lee's genius as a director do show in his later battle scenes, where the rhythmic beating of horse hooves and the jarring sounds of gunfire conjure images of a Remmington painting...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Not Tobey: Devil Without a Cause | 12/17/1999 | See Source »

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