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Beethoven's contemporaries declared that the Seventh Symphony could only have been composed by one who was drunk, perhaps alluding to Beethoven's unusual obsession with the rhythmic qualities of this composition. In that light, Kleiber presents a reading replete with charm and joyful abandon, tempered with sensitivity and intelligence...

Author: By Dan Altman and Brian D. Koh, S | Title: War Horse Beaten Back to Life on DG | 10/5/1995 | See Source »

...gale-wind force. "'Trane was the loudest, fastest saxophonist I've ever heard...he was possessed when he put that horn in his mouth," said trumpeter Miles Davis, who made about a dozen albums with him. For others it was his highly textured "sheets of sound," a rapid-fire, rhythmic attack that conjured up aural images of runaway trains, meteor showers and volcanic eruptions. Still others point to Coltrane's importance in bringing African and Eastern influences to jazz and helping bridge the worlds of jazz and experimental avant-garde music...

Author: /time Magazine | Title: MUSIC: SAX CHAMP | 9/18/1995 | See Source »

...classically trained company's execution of Feld's challenge to traditional ballet is commendable, with minor exceptions. The dancers falter during Feld's complicated, highly rhythmic patterns, when they lose their sense of the sequences' purpose and break their connection to each other in the chaos...

Author: By Marc R. Talusan, | Title: Complicated Rhythm | 4/6/1995 | See Source »

...album also features two very sucessful and quite different instrumental tunes. The first of these, "Factory Concerto (Remix)," by The Pietasters is a brief, but potent piece. With its heavy drums and trumpet, the song's rhythmic intensity builds extremely effectively, creating a fun and somewhat eerie mood. The second instumental, "Hi-Ball," by Skavoovie and the Epitones provides a marked contrast. Slower in pace, with piano, heavy bass and lots of horns, it shows the influence of lounge and jazz styles...

Author: By Ryan S. Mccarthy, | Title: Put On Your Ska Outfit and Dance! | 4/6/1995 | See Source »

Bassists are the bricklayers of the jazz world. Their job--to lay down a solid rhythmic foundation that their fellow musicians can build on--may not be sexy, but it's indispensable. In just four years as a pro, bassist Christian McBride has developed a strong but unobtrusive rhythmic style that has made him a ubiquitous musical presence. Although he's only 22, he has played on some 70 recordings and has toured with the top soloists, most recently saxophone wunderkind Joshua Redman. Now McBride's solo debut, Gettin' to It, should establish him as more than just a hotshot...

Author: /time Magazine | Title: ACE OF BASS | 3/13/1995 | See Source »

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