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...forced to give accounts of themselves, and the assembly was not about to let them get away with long-winded, cliche-laden speeches. Where past Kremlin meetings greeted boiler-plate presentations with perfunctory outbursts of applause, this one constantly interrupted party ideologist Vadim Medvedev's lackluster presentation with insolent rhythmic clapping. When chief economist Leonid Abalkin warned delegates that the socialist idea had begun to lose its popular appeal and the only way to save it was to switch to a market economy, he was greeted with derision. The warmest ovation was saved for conservative hero Yegor Ligachev, who fired...

Author: /time Magazine | Title: Soviet Union It's Lonely Up There | 7/16/1990 | See Source »

...these new elements add to, rather than detract from, Hornsby's original style. This is best demonsrated on the title track, whose bluesy, driving harmonies are underscored by Hornsby's rhythmic piano, rock guitar and some nice Yamaha synth sounds. The result is a pumped-up "Look Out Any Window" (but without the politically correct lyrics...

Author: By Brian R. Hecht, | Title: Going Beyond That Hornsby Sound | 6/29/1990 | See Source »

...conducted very much in what Washingtonians know as the Rostropovich style: wild flailing of the arms, much tossing of the silvery head, impassioned appeals for more emotion. The audience responded with a standing ovation, rhythmic clapping, showers of carnations. For his fourth encore, Rostropovich burst out with a rousing salute to his new homeland, John Philip Sousa's red, white and blue chestnut, Stars and Stripes Forever. The audience -- including Raisa Gorbachev -- gave one last standing ovation. At a reception afterward at the U.S. Ambassador's residence, Rostropovich greeted friends with kisses and bear hugs and vodka toasts. Asked...

Author: /time Magazine | Title: Music: Tears And Triumph in Moscow | 2/26/1990 | See Source »

...racially charged movie Do the Right Thing last year, the director realized how crucial it was to find appropriate music for the song that ignites the film's climactic riot scene. "I wanted it to be defiant, I wanted it to be angry, I wanted it to be very rhythmic," says Lee. "I thought right away of Public Enemy...

Author: /time Magazine | Title: Music: Yo! Rap Gets on the Map | 2/5/1990 | See Source »

There are several works which make reference to Chinese literature. "On the Theme of Snow," by Muso Soseki, one of the most important figures in Japanese culture of the Kamakura period, is styled in semi-cursive, rhythmic Chinese script; this contrasts with the classical, fourth century style of Lan-chi Taolung's composition, which uses the elegant, slender stroked characters found in the work of the Chinese author Wang Hsi-chih...

Author: By Daniel J. Lehman, | Title: Calligraphy | 12/1/1989 | See Source »

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