Word: rhythmics
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Dates: during 1960-1969
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Avant-garde jazz nowadays makes a lot of noise and a lot of speed, but rhythmically it has scarcely moved out of the '20s; the boys are still thumping along mostly in a 4/4 beat. This old-fashioned conformity bothered Trumpeter-Composer Don Ellis, so he organized a 21-piece band in Los Angeles, beefed up the rhythm section (four drummers, three double bassists), and sent the meter flying. To the modern far-out sound of jazz, he has added an exciting rhythmic pulse by playing in meters with 5, 9, 11, 19 and even 27 beats...
...been altered is the "Breakthrough," which denotes the abrupt attainment of dynamic reading. Kilgo desrcibes his Breakthrough in an unmistakably religious manner, "It was as if I was in a trance. My vision blurred and suddenly I could see the entire page in one glance. It was induced by rhythmic repetition over the same page many times." The term has been dropped, in favor of a more gradual description of success, because it was not conducive to profit making. "We have been instructed not to talk about it much anymore. Too often it is not substantial and students return...
...counterpoint and rhythms of the fast movements with complete confidence. Unfortunately, Street was consistently slightly overbalanced by the piano. His playing never became at all fiery, while Kalam's did on occasion. In every other respect, however, the performers' coordination was perfect--quite an achievement considering the dynamic and rhythmic liberties they took with the sonata...
...dreamy lines of the Wedding Song to the bouncy, spirited dancing songs, each song created a convincing atmosphere of its won. In Stravinsky's Russian Peasant Songs, the women, singing alone, gave the best performance of the evening. Every note and word was crisp and clear in these pulsating, rhythmic songs. In the third, the chorus and an excellent solo trio gleefully tossed the song back and forth. Dorothy Oeste's soprano in the fourth was flawless...
Marilyn Maye, 36, is a Wichita girl who made her reputation in Kansas City, where she has been packing The Colony for seven years. A gifted musician, she can coo a dreamy The Lamp Is Low as well as belt out Bill Bailey or Cabaret with a rhythmic finesse that connoisseurs find rare in singers nowadays. There is virtually no style, in fact, that she does not command. With her husband's intricate piano work and the backing of drums and fender bass, her performance has put Kansas City back on the map for jazz lovers...