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Word: rhythms (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...combination team that makes small passes and they play a similiar style," said Fowler. "We're confident that we can outplay any team of that style, and we did get them out of their rhythm...

Author: By Joanne Nelson, | Title: Stickwomen Top Penn, 4-1, Remain Unbeaten in Ivies | 10/7/1991 | See Source »

...Weir, the band's rhythm guitarist and occasional lead singer] is the hardest to read. When he's going to play a song, he just counts it out with the drummers and jumps right in," Welnick says...

Author: By Seth Mnookin, | Title: Newly Dead Keyboardist Vince Welnick | 10/5/1991 | See Source »

Rush gives great spiel. His radio persona, which is nearly identical to his genially blustering off-mike personality, mixes country lawyer with sideshow barker, tent evangelist with Spike Jones rhythm section. In the space of a single sentence, he will rattle newspapers into the microphone, impersonate Benjamin Hooks (Does the N.A.A.C.P. director really sound like Amos 'n' Andy's Kingfish?) and break into an impromptu chorus of Blue Moon. When Limbaugh gets revved up, he comes on like John Madden with a grudge...

Author: /time Magazine | Title: A Man. A Legend. A What!? | 9/23/1991 | See Source »

...music. This combines the body, speech and mind in one activity, synchronizes them. That is the highest flower of civilization. In that sense science is not the highest, the highest flower of civilization. Which is why African nations have influenced the whole world through blues, rock and roll, rhythm, movement of the body, going beyond restrictions and chains and mechanical blood, rationalistic repression. Hyper-rationalistic. There is nothing with rationality but hyper-rationality creates chaos. Witness the creation of the bomb and the inability of the creators of the bomb to get rid of the waste product...

Author: NO WRITER ATTRIBUTED | Title: Ginsberg's Thoughts on Art and Politics | 9/20/1991 | See Source »

Loesser the Hollywood lyricist was Mr. Do-It-All. He wrote torchy stuff for gangster dramas and sarong songs for Dorothy Lamour. When collaborating, Loesser usually devised the lyric first, along with a "dummy tune" to suggest tempo and rhythm. Jimmy McHugh could compose a long, languid melodic line for Let's Get Lost because Loesser had compressed the intensity of new passion into the narrowest meter: "Let's defrost/ In a romantic mist./ Let's get crossed/ Off everybody's list...

Author: /time Magazine | Title: The Most Snappy Fella | 9/16/1991 | See Source »

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