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Word: rhythms (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...rereading him, he couldn't always tell what Manny thought of a film - not that analysis was lacking, just an overall value judgment. I don't think that rendering an Olympian opinion was crucial for him. It was more important to look at the work closely, tunnel into its rhythm and visual texture, then write it up, with special attention to originality of expression and sentence-solving, so that the reader can approach the finished piece with the same concentration, and expectation of rewards, as any work of art. "I believe most of what I wrote," Manny told Ollman with...

Author: /time Magazine | Title: Manny Farber: Termite of Genius | 8/26/2008 | See Source »

...criticism. Writing for the New Republic, the Nation, Time, Cavalier and a host of art and film journals, Farber elevated the reps of blue collar directors while snipering critics' darlings like Hitchcock and Welles. (Citizen Kane was "exciting but hammy.") He sold these advanced ideas through the startling sprung rhythm of his prose, packing an essay's worth of insights into a parenthetical aside, leaving the alert reader exhausted and grateful...

Author: /time Magazine | Title: Manny Farber | 8/21/2008 | See Source »

Ageless, hip, erudite, caustic, lovable, tough and hypnotic: Jerry Wexler, who died Aug. 15 at 91, was a one-of-a-kind great man of music. Before helping shape the sound of the second half of the 20th century, he was the Billboard reporter who coined rhythm and blues to replace the category "race music" on the magazine's charts. With Ahmet Ertegun, he co-piloted Atlantic Records, once saying the label made "black music for black adults." But that underestimated the impact of the classics he produced--Aretha Franklin's Respect, Percy Sledge's When a Man Loves...

Author: /time Magazine | Title: Jerry Wexler | 8/21/2008 | See Source »

...important is the rhythm...

Author: /time Magazine | Title: What Was Really Bugging Tyson Gay | 8/17/2008 | See Source »

...very important. When you race against your competitors, you get rhythm. When you run the 100, you get rhythm. You need races for practice. When you get that, man, it can take you a long way. I'm used to it being that when I take 15 steps, I know I'm in the race. My body knows it. And my muscle movement didn't really have that. Before that, I had a rhythm. I didn't even have to look, everything was in synch...

Author: /time Magazine | Title: What Was Really Bugging Tyson Gay | 8/17/2008 | See Source »

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