Word: rhythms
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...said. “I thought they out-toughed us, and we never really gave our defense a chance.”On a cold and rainy day when the temperature didn’t creep above 50 degrees, the Harvard offense spent the entire day searching for a rhythm it never found. The Crimson finished the day with only 226 yards of total offense—120 of it during a largely inconsequential fourth quarter.The Cornell defense once again had an answer for All-American running back Clifton Dawson, holding the junior to just 39 yards on the ground...
...join forces to cover eight Pavement songs. It's an unlikely enterprise, and not every arrangement works--the catchy hit Cut Your Hair is reinterpreted as a schmaltzy R&B ballad--but it's hard to resist music this fun. On songs like Here and Summer Babe, the rhythm section lays down pulsating grooves as saxman Carter uncovers the bluesy tunefulness buried beneath Pavement's trademark static. The result is one of the oddest--and, oddly, most delightful--tribute albums of the year...
...that raises serious questions about whether the Crimson can even compete with the best of the Ivy League. On a cold and rainy day when the temperature didn’t creep above 50 degrees, the Harvard offense spent the entire day searching for a rhythm it never found. The Crimson finished the day with only 226 yards of total offense—120 of it during a largely inconsequential fourth quarter. The Cornell defense once again had an answer for All-American running back Clifton Dawson—holding the junior to just 39 yards on the ground...
...fellow artist/prankster R. Kelly by shouting that he was “trapped in the closet” and asking us, “What does ‘TP-3’ even mean?” Eventually the band started clinking their plates and glasses in rhythm, and the dinner party became some mutated version of recent B-side “Clap Hands.” Some of the assembled masses did more than clap their hands, though, as Beck invited at least a dozen random crowd members onstage to dance through “E-Pro?...
...jaws dropping all over the auditorium. The tune is fragmented, a series of seemingly random notes that somehow come together. The only discernible part of the melody is one five-note phrase that gives the piece its own personal flavor. The piece is kept together, not by the excellent rhythm section of Ahmed Abdul-Malik on bass and Shadow Wilson on drums, but the interplay between Monk and Coltrane, particularly during the first solo section...