Word: rhythms
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...Within a year, Phillips had sold Presley's contract to RCA Victor for $25,000. He says he never regretted the decision, never looked back. He soon had another rockabilly prodigy, Carl Perkins, whose "Blue Suede Shoes" kicked some serious chart butt: #1 country & western, #2 pop and rhythm 'n blues. Johnny Cash, the Arkansas gent with a grave voice and a lifer's stare, recorded "I Walk the Line": #1 country, #17 pop. Roy Orbison, who would not fully flower till the '60s, did an early stretch at Sun, recording some goofy rockers and writing a hit song...
...knew its varied roots and how to tap them. As he announced at the conclusion of his belated, heroically defiant debut at the Grand Ole Opry in 1973: "Let me tell ya somethin' about Jerry Lee Lewis, ladies and gentlemen. I am a rock-'n'-rollin', country-and-Western, rhythm-'n'-blues-singin' mothafucker...
...Black and white did mingle in the studio, not physically but in their overlapping styles and choice of material. Turner's piano work, backing Jackie Brenston on Phillips's first hit, "Rocket '88'," has some of the boogie-woogie triplets, rolling rhythm down low and bang-it-till-it-breaks urgency on high that were later identified with Lewis. In September 1954, Parker recorded his own "Mystery Train," a spectral blues song that has sax-man James Wheeler evoking a train's mournful whistle and Floyd Murphy's guitar providing the chugging wheels. Ten months later Elvis covered it, speeding...
...DEAL WITH THEM For much of the 20th century, Americans treated forest fires as anathema, to be stamped out wherever they occurred. But experts now believe the zero-tolerance approach did more harm than good. Fires are part of the natural rhythm of the forests, clearing out underbrush and giving trees room to grow. You don't really fight wildfires, according to this view; you only postpone them. If we are going to learn how to coexist with fire, here is how we might start...
...daughter who studied English in Canada. Let me make you sushi!"). On my last Saturday in town, I am on my way to visit the Suwa Shinto Shrine when I hear the music of a parade. Two large drums, carried on the backs of robed festival participants, keep rhythm for a 20-person contingent. Men in suits and white-faced women in bright kimonos lead the procession down stone sidewalks, beginning the 168-step ascent to the three large sanctuaries of the shrine. Koyairi, I later learn, is the ceremony that kicks off the five-month preparation period for Nagasaki...