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Word: rhythms (lookup in dictionary) (lookup stats)
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...dentist-drill distorted guitars marshalled by driving drums that border on militaristic. Yet Mercedes seldom stumble onto anything resembling a decent guitar hook, and attempt to make up for that fact with raucousness and occasional angular breaks. They are bolstered by a very solid, if not particularly imaginative rhythm section, who maintain the energy without which the album would be one long dirge...

Author: By James Crawford, Andrew R. Iliff, and Daniel M. Raper, CRIMSON STAFF WRITERS | Title: New Albums | 11/30/2001 | See Source »

...somewhat safe shuffle opening that rolls over into the guitarist’s own “Rude Mood,” a thundering stampede of a follow-up. Such is Vaughan’s energy on “Rude Mood” that his rhythm section seems almost on the verge of breaking in their effort to match his flying fingers—his dexterity is perhaps only matched by spontaneous melodic invention...

Author: By James Crawford, Andrew R. Iliff, and Daniel M. Raper, CRIMSON STAFF WRITERS | Title: New Albums | 11/30/2001 | See Source »

...encouraged audience participation. Supported by Castrillo, he urged the audience to sing, recapturing the introduction of Wonder’s original track. The only reason it didn’t seem bizarre was that earlier in the evening, Frankie stepped into the crowd, joking and shaking hands while his rhythm section furiously pounded out Latin beats. The effect was truly surreal. With a radio microphone fitted into the bell of his trumpet, Frankie occasionally broke from conversation to play the melody and then resumed pressing the flesh. Couple this spectacle with Frankie playing from behind the audience while his sound...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: V Is for Victory | 11/30/2001 | See Source »

...court regularly at Ryles, and in doing so has been elevated to mythic musical status. Whether seamlessly integrating Frankie V’s spontaneous melodies into his own supple chord-building or cheekily paying homage to arena rock in the club’s small confines, Bartlett was the rhythm section rock on which Frankie was able to build great flights of fancy. Pianist Israel Tannenbaum played an almost ironic performance, leaping up and down the keyboard in vertical chords under the effigy of Lester Young, a soloist renowned for his horizontal and compressed playing. Tannenbaum also contributed...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: V Is for Victory | 11/30/2001 | See Source »

Inside this smallish restaurant, the canary yellow walls with bright green and red accents spoke cheerily, while foreign flags and tapestries hung from every surface and soft reggae music soothe. With a few of their vibrant drinks from the heavy-handed bartender, Rhythm and Spice seemed to virtually breathe an island spirit...

Author: By Kate Szostak and Alice O. Wong, CRIMSON STAFF WRITERS | Title: A Night Out | 11/29/2001 | See Source »

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