Word: rhythms
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...gave the varsity eight a confidence boost before the second race of the day. “The 2-V has been really strong, especially this week and they’ve been moving well together in practice,” Hallowell said. “They found their rhythm and found what they needed. I think it’s really good for the team to see us winning in both boats.” The varsity eight overcame an early Georgetown lead during the first 250 meters and used the middle 1000 meters to open up the lead...
...Equally important to the Crimson’s success this weekend will be its ability to find its offensive rhythm. While Harvard’s hitters struggled to produce runs against Columbia, the team found its stride against Penn, with every starter recording at least one hit in the doubleheader. The Crimson continued to roll yesterday against Rhode Island, ripping off 21 hits in a twinbill sweep...
...with a grating, repetitive drone which eventually becomes the backbone of the entire track. After your ears adjust to the initial irritation, however, it somehow morphs into an undeniably musical sound. The same drone is no longer unsettling noise but an oscillation between two notes with a clear, pounding rhythm driving the music forward. The sound is no longer the drone of bees or an overcrowded city street, but of horns, drums, keyboards, and a true composer. Much of the album evokes the same reaction as the opening track. Songs begin with a noise that shocks you out of your...
...another one!Then I took off. I charged. If I slowed I would stop. I thought I heard Ezekiel, somewhere to my side, limping with doubt. But I kept to my stride. And soon he caught up.It wasn’t long before we fell into some sort of rhythm. By the time we’d passed those first few pews, we’d agreed on a kind of swaying tack that shuffled us across the wood. The shuffling became a skimming and that gave me enough of a gliding feel to not slow when I heard, from...
...same handclaps, placing them over a piano riff borrowed from Björk’s “Human Behaviour.” Like PB&J’s last album, “Living Thing” is marked by propulsive and insistent percussion, but here the rhythm section is mixed even further to the forefront, often louder than the guitars or vocals. From the reverbed crashes of “Lay it Down,” evocative of chain-gang pick-axes, to the deeply resonating tribal drums on the dirge...