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There were problems onstage too, which became apparent when the show started preview performances in early December. Its story of Salvador Agron--a Puerto Rican teenager convicted of killing two white youths in a Hell's Kitchen playground in 1959--was confused and uninvolving; the staging lacked energy; and there was surprisingly little dancing for a show directed by an acclaimed choreographer, Mark Morris. Last month the producers enticed veteran director Jerry Zaks (the Tony Award-winning revival of Guys and Dolls) to take over as show doctor. He in turn brought in a new choreographer, Joey McKneely. That left...

Author: /time Magazine | Title: Theater: Seeking Salvation for the Capeman | 2/2/1998 | See Source »

Walcott's daily life is hectic. As the co-writer of the book and lyrics for Paul Simon's long-awaited musical The Capeman, he has a Broadway opening this month--an unusually suspenseful opening. The Capeman, which tells the story of Salvador Agron, a Puerto Rican teen who killed two white youths in a Manhattan playground in 1959, has been plagued by a drumbeat of doomsaying in the New York media, last-minute changes and a postponed opening date. The Nobel curse may be chasing Walcott, but his productivity seems unaffected. His most recent book of poetry, The Bounty...

Author: /time Magazine | Title: Books: The Stockholm Syndrome: Is the Nobel a Curse? | 1/19/1998 | See Source »

Racially, 59.7 percent identified themselves as white or Caucasian, 19.8 percent Asian-American, 11.3 percent African-American or black, 3.2 Mexican American or Chicano, 1.1 percent Puerto Rican, 4.5 percent other Latino or Hispanic and 0.4 percent Native American...

Author: By Jal D. Mehta, CRIMSON STAFF WRITER | Title: Poll Attempts an Unbiased Methodology | 12/12/1997 | See Source »

...well known authors like Wolff, Stone and Cynthia Ozick, are the works of emerging talents like newly minted literary wunderkind Junot Diaz. "Fiesta, 1980"--which is also included in Diaz's critically lauded 1996 debut "Drown"--details a Dominican American boy's encounters with his father's Puerto Rican mistress and his experience at a lively family party. Here Diaz once again proves that he is one of the best young writers around not for what Proulx calls his distinct "cultural, ethnic, and class" perspective, but because underneath his deceptively simple, "street vernacular" prose is a powerful storyteller as equally...

Author: By Brandon K. Walston, CONTRIBUTING WRITER | Title: Best of the Best | 12/5/1997 | See Source »

...Cafeteria?, says she often asks her psychology students to complete this sentence: "I am ______." White students tend to answer with personality traits: "I am friendly," "I am shy," etc. Students of color tend to fill in the blank with their ethnicity: "I am black" or "I am Puerto Rican." The foundation for racial identity, Tatum argues, is constructed in adolescence by peer pressure, societal influences and self-reflection; it is a time when children make choices about who they...

Author: /time Magazine | Title: KIDS AND RACE | 11/24/1997 | See Source »

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