Word: rich
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Dates: during 1960-1969
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...prosperous Boston suburb of Newton. At 46, Kruger earned $50,000 a year, sent his children to some of the nation's finest suburban public schools, owned a ten-room house filled with costly art objects. But he felt that he should be treating poor instead of rich patients. Now Kruger has quit Newton, moved to the Mississippi Delta hamlet of Mound Bayou (pop. 1,354), where he runs a federally financed clinic for impoverished Negroes, some of them literally starving. The move cost Kruger $15,000 of his own money, partly for the two trailers in which...
Queen Victoria has proved to be considerably more durable than the British Empire. The stage has become her throne and she has moved from history into legend. For Helen Hayes, the role was the apex of an acting career. For Dorothy Tutin, 37, whose dramatic resources are rich, varied and unspent, it is more like a tiara worn with casual ele gance. William Francis' Portrait of a Queen, which opened on Broadway last week, is not so much a play as a pastiche-part documentary chronicle, part dear-diary journal, part dusty archive of political feuds. Most attractively...
This time Hayley plays a bespectacled ugly duckling who accompanies her rich and awful aunt (Brenda de Banzie) on a trip to the mysterious East. In Singapore, Auntie eats too much and sinks like a stone in the hotel swimming pool. Hayley wastes neither tears nor time in living and loving it up with a handsome Indian faker who wheels and deals in everything from hot cameras to cool chicks...
Anything Goes. Between the Donadios and the Merediths, the thriving agency business is rich with specialists who represent, in varying degrees, some combination or permutation of the two. Irving Lazar is a Hollywood agent who concentrates almost exclusively on sales to film companies. Attorney Paul Gitlin represents Harold Robbins, among others, as both lawyer and agent...
...define it, rarely can occur. One of the extraordinary psychological achievements of industrial and post-industrial societies has been the gradual opening of an opportunity for a real adolescence to a great number of less privileged and less talented young men and women, with all of the rich possibilities for continued development this opening brings. What we have to say about adolescence must, therefore, be seen in an historical perspective which recognizes that adolescence, as we define it, is to a large extent a recent social and cultural phenomenon, still not available to multitudes of young people, primarily from...